The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
<p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to pe...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2012-12-01
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| Series: | Cadernos de Letras da UFF |
| Subjects: | |
| Online Access: | http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476 |
| Summary: | <p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to perceive how the great imagist mobilizes language mechanisms, present in the short film of Frederico Machado, in the construction of a discourse that reveals itself paradoxical.</p> |
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| ISSN: | 1413-053X 2447-4207 |