The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
<p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to pe...
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Format: | Article |
Language: | Portuguese |
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Universidade Federal Fluminense
2012-12-01
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Series: | Cadernos de Letras da UFF |
Subjects: | |
Online Access: | http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476 |
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author | Thais Carvalho Fonseca Jorge Luiz Borges Bezerra |
author_facet | Thais Carvalho Fonseca Jorge Luiz Borges Bezerra |
author_sort | Thais Carvalho Fonseca |
collection | DOAJ |
description | <p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to perceive how the great imagist mobilizes language mechanisms, present in the short film of Frederico Machado, in the construction of a discourse that reveals itself paradoxical.</p> |
first_indexed | 2024-12-11T08:56:45Z |
format | Article |
id | doaj.art-ee91b295e6ed47439939bbf9675891f3 |
institution | Directory Open Access Journal |
issn | 1413-053X 2447-4207 |
language | Portuguese |
last_indexed | 2024-12-11T08:56:45Z |
publishDate | 2012-12-01 |
publisher | Universidade Federal Fluminense |
record_format | Article |
series | Cadernos de Letras da UFF |
spelling | doaj.art-ee91b295e6ed47439939bbf9675891f32022-12-22T01:13:52ZporUniversidade Federal FluminenseCadernos de Letras da UFF1413-053X2447-42072012-12-012245214The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinemaThais Carvalho Fonseca0Jorge Luiz Borges Bezerra1Universidade Federal do MaranhãoUniversidade Estadual do Maranhão<p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to perceive how the great imagist mobilizes language mechanisms, present in the short film of Frederico Machado, in the construction of a discourse that reveals itself paradoxical.</p>http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476grande imagista, Vela ao crucificado, discurso cinematográfico. |
spellingShingle | Thais Carvalho Fonseca Jorge Luiz Borges Bezerra The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema Cadernos de Letras da UFF grande imagista, Vela ao crucificado, discurso cinematográfico. |
title | The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema |
title_full | The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema |
title_fullStr | The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema |
title_full_unstemmed | The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema |
title_short | The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema |
title_sort | great imagist in i vela ao crucificado i a study of the language of cinema |
topic | grande imagista, Vela ao crucificado, discurso cinematográfico. |
url | http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476 |
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