The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema

<p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to pe...

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Main Authors: Thais Carvalho Fonseca, Jorge Luiz Borges Bezerra
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2012-12-01
Series:Cadernos de Letras da UFF
Subjects:
Online Access:http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476
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author Thais Carvalho Fonseca
Jorge Luiz Borges Bezerra
author_facet Thais Carvalho Fonseca
Jorge Luiz Borges Bezerra
author_sort Thais Carvalho Fonseca
collection DOAJ
description <p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to perceive how the great imagist mobilizes language mechanisms, present in the short film of Frederico Machado, in the construction of a discourse that reveals itself paradoxical.</p>
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spelling doaj.art-ee91b295e6ed47439939bbf9675891f32022-12-22T01:13:52ZporUniversidade Federal FluminenseCadernos de Letras da UFF1413-053X2447-42072012-12-012245214The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinemaThais Carvalho Fonseca0Jorge Luiz Borges Bezerra1Universidade Federal do MaranhãoUniversidade Estadual do Maranhão<p>Cinematographic language is recognized for its capacity for expression and creativity. Through the creation of the camera, in the exhibition, and of the assembly, in the narration, the narrative of the cinema is constructed. In Vela ao Crucificado, a study of the point of view is able to perceive how the great imagist mobilizes language mechanisms, present in the short film of Frederico Machado, in the construction of a discourse that reveals itself paradoxical.</p>http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476grande imagista, Vela ao crucificado, discurso cinematográfico.
spellingShingle Thais Carvalho Fonseca
Jorge Luiz Borges Bezerra
The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
Cadernos de Letras da UFF
grande imagista, Vela ao crucificado, discurso cinematográfico.
title The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
title_full The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
title_fullStr The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
title_full_unstemmed The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
title_short The great Imagist in <i>Vela ao crucificado:</i> a study of the language of cinema
title_sort great imagist in i vela ao crucificado i a study of the language of cinema
topic grande imagista, Vela ao crucificado, discurso cinematográfico.
url http://www.cadernosdeletras.uff.br/index.php/cadernosdeletras/article/view/476
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