Crise dos afetos: intimidade e cotidiano no cinema e na televisão

Affection crisis: privacy and everyday life in film and television - When intimacy is the main theme of both television programs and in movies theaters, an affection crisis is observed, in which the risk of subjective imprisonments and reification intensify. In this paper we analyze two empirical ob...

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Main Authors: Patricia Colmenero Moreira de Alcantara, Fabíola Calazans
Format: Article
Language:English
Published: Pontíficia Universidade Católica de São Paulo 2015-07-01
Series:Galáxia
Subjects:
Online Access:http://revistas.pucsp.br/index.php/galaxia/article/view/20057/16762
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author Patricia Colmenero Moreira de Alcantara
Fabíola Calazans
author_facet Patricia Colmenero Moreira de Alcantara
Fabíola Calazans
author_sort Patricia Colmenero Moreira de Alcantara
collection DOAJ
description Affection crisis: privacy and everyday life in film and television - When intimacy is the main theme of both television programs and in movies theaters, an affection crisis is observed, in which the risk of subjective imprisonments and reification intensify. In this paper we analyze two empirical objects that emphasize the theme of everyday life and privacy, which pervade some affective territories, such as the film "A woman is a woman", of Jean-Luc Godard, and contemporary television, in particular the Brazilian television channel GNT. In conclusion, the trajectory of the self seems threatened by the marketing of affective performances.
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spelling doaj.art-eebeaccb4d3e4780b3f0ffbe0e381bec2022-12-21T18:10:22ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532015-07-01152919520610.1590/1982-25542015120057Crise dos afetos: intimidade e cotidiano no cinema e na televisãoPatricia Colmenero Moreira de AlcantaraFabíola Calazans0UnBAffection crisis: privacy and everyday life in film and television - When intimacy is the main theme of both television programs and in movies theaters, an affection crisis is observed, in which the risk of subjective imprisonments and reification intensify. In this paper we analyze two empirical objects that emphasize the theme of everyday life and privacy, which pervade some affective territories, such as the film "A woman is a woman", of Jean-Luc Godard, and contemporary television, in particular the Brazilian television channel GNT. In conclusion, the trajectory of the self seems threatened by the marketing of affective performances.http://revistas.pucsp.br/index.php/galaxia/article/view/20057/16762intimidadecotidianocinematelevisãoafetosprivacyeveryday lifetelevisionaffections
spellingShingle Patricia Colmenero Moreira de Alcantara
Fabíola Calazans
Crise dos afetos: intimidade e cotidiano no cinema e na televisão
Galáxia
intimidade
cotidiano
cinema
televisão
afetos
privacy
everyday life
television
affections
title Crise dos afetos: intimidade e cotidiano no cinema e na televisão
title_full Crise dos afetos: intimidade e cotidiano no cinema e na televisão
title_fullStr Crise dos afetos: intimidade e cotidiano no cinema e na televisão
title_full_unstemmed Crise dos afetos: intimidade e cotidiano no cinema e na televisão
title_short Crise dos afetos: intimidade e cotidiano no cinema e na televisão
title_sort crise dos afetos intimidade e cotidiano no cinema e na televisao
topic intimidade
cotidiano
cinema
televisão
afetos
privacy
everyday life
television
affections
url http://revistas.pucsp.br/index.php/galaxia/article/view/20057/16762
work_keys_str_mv AT patriciacolmeneromoreiradealcantara crisedosafetosintimidadeecotidianonocinemaenatelevisao
AT fabiolacalazans crisedosafetosintimidadeecotidianonocinemaenatelevisao