| Summary: | The last book of the New Testament has inspired countless narratives and cultural productions. In the realm of popular music, the Apocalypse has been embraced as synonymous with imminent catastrophe, generating a dystopian discourse. As a tool for
analysis, the concept of “critical dystopia” has built a useful means of connecting apocalyptic menaces, re-enchantment of the world, and social protest. At the same time,
“authenticity” is a sacred dimension within rock, an antidote to commercialism and a
key notion of doomsday scenarios. This article has two parts: first, a conceptual review
of the state of the questions and debate involved; and second, an exposition of selected
songs, followed by a summary of their main traits.
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