Censura e street creativity

This paper argues that censorship plays a leading role in street creativity. It also explores how the borders between legal and illegal vacillate within the complex relationships between institutions and street artists. Street creativity is defined as any iconographic production displayed in the pub...

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Main Author: Edwige Comoy Fusaro
Format: Article
Language:English
Published: UNICApress 2015-05-01
Series:Between
Subjects:
Online Access:http://ojs.unica.it/index.php/between/article/view/1391
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author Edwige Comoy Fusaro
author_facet Edwige Comoy Fusaro
author_sort Edwige Comoy Fusaro
collection DOAJ
description This paper argues that censorship plays a leading role in street creativity. It also explores how the borders between legal and illegal vacillate within the complex relationships between institutions and street artists. Street creativity is defined as any iconographic production displayed in the public arena, either commissioned or not, regardless of the media or technique employed, and abstaining from any aesthetic or artistic judgment. The study is based on pieces found in 2014 in Italian, French, German and English cities. It focuses on their particular location, the meanings of the figures and/or texts, and the doers’ motives, if known. Several forms of censorship stimulate serve as catalysts for street creativity: first of all the regulation of visibility in the urban environment, and the orders and prohibitions implied by this environment. Doers also denounce the authorities’ lies, either by depicting the censored truth or doing artivism. Other seminal inputs are the thrill of transgression, the desire to comunicate with people and the underlying awareness of the transience of life.
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spelling doaj.art-eee4f4a612794cae9d9b3ca76c8923a32023-09-02T12:04:16ZengUNICApressBetween2039-65972015-05-015910.13125/2039-6597/13911117Censura e street creativityEdwige Comoy Fusaro0Université Nice Sophia AntipolisThis paper argues that censorship plays a leading role in street creativity. It also explores how the borders between legal and illegal vacillate within the complex relationships between institutions and street artists. Street creativity is defined as any iconographic production displayed in the public arena, either commissioned or not, regardless of the media or technique employed, and abstaining from any aesthetic or artistic judgment. The study is based on pieces found in 2014 in Italian, French, German and English cities. It focuses on their particular location, the meanings of the figures and/or texts, and the doers’ motives, if known. Several forms of censorship stimulate serve as catalysts for street creativity: first of all the regulation of visibility in the urban environment, and the orders and prohibitions implied by this environment. Doers also denounce the authorities’ lies, either by depicting the censored truth or doing artivism. Other seminal inputs are the thrill of transgression, the desire to comunicate with people and the underlying awareness of the transience of life.http://ojs.unica.it/index.php/between/article/view/1391Street ArtGraffitiArteCittàPolitica
spellingShingle Edwige Comoy Fusaro
Censura e street creativity
Between
Street Art
Graffiti
Arte
Città
Politica
title Censura e street creativity
title_full Censura e street creativity
title_fullStr Censura e street creativity
title_full_unstemmed Censura e street creativity
title_short Censura e street creativity
title_sort censura e street creativity
topic Street Art
Graffiti
Arte
Città
Politica
url http://ojs.unica.it/index.php/between/article/view/1391
work_keys_str_mv AT edwigecomoyfusaro censuraestreetcreativity