Princípios de fenomenologia para a composição de paisagens sonoras

This paper aims at presenting compositional procedures to soundscapes, based on conceptual thoughts supported by phenomenology. Authors such as Merleau-Ponty, Varela and Maturana have developed a new way of understanding human perception. New in many aspects, this paradigm has not yet been assimilat...

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Main Authors: André Luiz Gonçalves de Oliveira, Rael Bertarelli Gimenes Toffolo
Format: Article
Language:Portuguese
Published: Associação Nacional de Pesquisa e Pós-Graduação em Música 2008-05-01
Series:Opus
Subjects:
Online Access:http://www.anppom.com.br/revista/index.php/opus/article/view/238
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author André Luiz Gonçalves de Oliveira
Rael Bertarelli Gimenes Toffolo
author_facet André Luiz Gonçalves de Oliveira
Rael Bertarelli Gimenes Toffolo
author_sort André Luiz Gonçalves de Oliveira
collection DOAJ
description This paper aims at presenting compositional procedures to soundscapes, based on conceptual thoughts supported by phenomenology. Authors such as Merleau-Ponty, Varela and Maturana have developed a new way of understanding human perception. New in many aspects, this paradigm has not yet been assimilated by some areas related to perception, such as music. We will start with a historical review of the development of the idea of soundscape in the context of contemporary music, presenting a set of core concepts involved in its design procedures. We will summarize then some philosophical ideas about perception, especially in the area of phenomenology. Finally, we will suggest some compositional procedures to soundscapes supported by Merleau-Ponty’s phenomenology and also by the post-pontynian phenomenology of Maturana and Varela. In this sense, we hope to contribute to the development of soundscape composition, bringing the philosophical support of phenomenology in order to understand the central concepts of musical production.
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spelling doaj.art-ef0c23ea4c58476e8e7446ad5c1f54522022-12-22T00:31:10ZporAssociação Nacional de Pesquisa e Pós-Graduação em MúsicaOpus0103-74121517-70172008-05-0114198112213Princípios de fenomenologia para a composição de paisagens sonorasAndré Luiz Gonçalves de Oliveira0Rael Bertarelli Gimenes Toffolo1UNOESTEUEMThis paper aims at presenting compositional procedures to soundscapes, based on conceptual thoughts supported by phenomenology. Authors such as Merleau-Ponty, Varela and Maturana have developed a new way of understanding human perception. New in many aspects, this paradigm has not yet been assimilated by some areas related to perception, such as music. We will start with a historical review of the development of the idea of soundscape in the context of contemporary music, presenting a set of core concepts involved in its design procedures. We will summarize then some philosophical ideas about perception, especially in the area of phenomenology. Finally, we will suggest some compositional procedures to soundscapes supported by Merleau-Ponty’s phenomenology and also by the post-pontynian phenomenology of Maturana and Varela. In this sense, we hope to contribute to the development of soundscape composition, bringing the philosophical support of phenomenology in order to understand the central concepts of musical production.http://www.anppom.com.br/revista/index.php/opus/article/view/238paisagem sonorafenomenologiaMerleau-Ponty.
spellingShingle André Luiz Gonçalves de Oliveira
Rael Bertarelli Gimenes Toffolo
Princípios de fenomenologia para a composição de paisagens sonoras
Opus
paisagem sonora
fenomenologia
Merleau-Ponty.
title Princípios de fenomenologia para a composição de paisagens sonoras
title_full Princípios de fenomenologia para a composição de paisagens sonoras
title_fullStr Princípios de fenomenologia para a composição de paisagens sonoras
title_full_unstemmed Princípios de fenomenologia para a composição de paisagens sonoras
title_short Princípios de fenomenologia para a composição de paisagens sonoras
title_sort principios de fenomenologia para a composicao de paisagens sonoras
topic paisagem sonora
fenomenologia
Merleau-Ponty.
url http://www.anppom.com.br/revista/index.php/opus/article/view/238
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