Applying the neuroscience of creativity to creativity training

This article investigates how neuroscience in general, and neuroscience of creativity in particular, can be used in teaching 'applied creativity' and the usefulness of this approach to creativity training. The article is based on empirical data and our experiences from the Applied Ne...

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Main Authors: Balder eOnarheim, Morten eFriis-Olivarius
Format: Article
Language:English
Published: Frontiers Media S.A. 2013-10-01
Series:Frontiers in Human Neuroscience
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fnhum.2013.00656/full
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author Balder eOnarheim
Morten eFriis-Olivarius
Morten eFriis-Olivarius
author_facet Balder eOnarheim
Morten eFriis-Olivarius
Morten eFriis-Olivarius
author_sort Balder eOnarheim
collection DOAJ
description This article investigates how neuroscience in general, and neuroscience of creativity in particular, can be used in teaching 'applied creativity' and the usefulness of this approach to creativity training. The article is based on empirical data and our experiences from the Applied NeuroCreativity (ANC) program, taught at business schools in Denmark and Canada. In line with previous studies of successful creativity training programs the ANC participants are first introduced to cognitive concepts of creativity, before applying these concepts to a relevant real world creative problem. The novelty in the ANC program is that the conceptualization of creativity is built on neuroscience, and a crucial aspect of the course is giving the students a thorough understanding of the neuroscience of creativity. Previous studies have reported that the conceptualization of creativity used in such training is of major importance for the success of the training, and we believe that the neuroscience of creativity offers a novel conceptualization for creativity training. Here we present two sets of empirical data, suggesting that principles from neuroscience can contribute effectively to creativity training and produce measurable results on creativity tests: 1) an experiment demonstrating how an ANC lecture on the neurobiology of creativity significantly decreased the number of fixations in a creative task, 2) pre/post-training tests showing that ANC students gained more fluency in divergent thinking (a traditional measure of trait creativity) than those in highly similar courses without the neuroscience component. The evidence presented indicates that the inclusion of neuroscience principles in a creativity course can in 8 weeks increase divergent thinking skills with an individual relative average of 28.5%.
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spelling doaj.art-ef1410be4303463881d0be07a7bb99a32022-12-22T00:22:07ZengFrontiers Media S.A.Frontiers in Human Neuroscience1662-51612013-10-01710.3389/fnhum.2013.0065655544Applying the neuroscience of creativity to creativity trainingBalder eOnarheim0Morten eFriis-Olivarius1Morten eFriis-Olivarius2Technical university of DenmarkCopenhagen Business SchoolHvidovre HospitalThis article investigates how neuroscience in general, and neuroscience of creativity in particular, can be used in teaching 'applied creativity' and the usefulness of this approach to creativity training. The article is based on empirical data and our experiences from the Applied NeuroCreativity (ANC) program, taught at business schools in Denmark and Canada. In line with previous studies of successful creativity training programs the ANC participants are first introduced to cognitive concepts of creativity, before applying these concepts to a relevant real world creative problem. The novelty in the ANC program is that the conceptualization of creativity is built on neuroscience, and a crucial aspect of the course is giving the students a thorough understanding of the neuroscience of creativity. Previous studies have reported that the conceptualization of creativity used in such training is of major importance for the success of the training, and we believe that the neuroscience of creativity offers a novel conceptualization for creativity training. Here we present two sets of empirical data, suggesting that principles from neuroscience can contribute effectively to creativity training and produce measurable results on creativity tests: 1) an experiment demonstrating how an ANC lecture on the neurobiology of creativity significantly decreased the number of fixations in a creative task, 2) pre/post-training tests showing that ANC students gained more fluency in divergent thinking (a traditional measure of trait creativity) than those in highly similar courses without the neuroscience component. The evidence presented indicates that the inclusion of neuroscience principles in a creativity course can in 8 weeks increase divergent thinking skills with an individual relative average of 28.5%.http://journal.frontiersin.org/Journal/10.3389/fnhum.2013.00656/fullPsychologyTeachingcreativityNeurosienceTraining.application
spellingShingle Balder eOnarheim
Morten eFriis-Olivarius
Morten eFriis-Olivarius
Applying the neuroscience of creativity to creativity training
Frontiers in Human Neuroscience
Psychology
Teaching
creativity
Neurosience
Training.
application
title Applying the neuroscience of creativity to creativity training
title_full Applying the neuroscience of creativity to creativity training
title_fullStr Applying the neuroscience of creativity to creativity training
title_full_unstemmed Applying the neuroscience of creativity to creativity training
title_short Applying the neuroscience of creativity to creativity training
title_sort applying the neuroscience of creativity to creativity training
topic Psychology
Teaching
creativity
Neurosience
Training.
application
url http://journal.frontiersin.org/Journal/10.3389/fnhum.2013.00656/full
work_keys_str_mv AT baldereonarheim applyingtheneuroscienceofcreativitytocreativitytraining
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