“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti

The Octagonal Heart (1956) depicts Ariadne Thompson’s memories of the happy summers she spent as a child with her extended family in the octagonal house, Parnassus, a private residence near St. Louis, USA. A strong sense of Greekness permeates the intertwining layers of the memoir, the physical one...

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Main Author: Iancu Anca-Luminiţa
Format: Article
Language:English
Published: Sciendo 2023-06-01
Series:American, British and Canadian Studies Journal
Subjects:
Online Access:https://doi.org/10.2478/abcsj-2023-0007
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author Iancu Anca-Luminiţa
author_facet Iancu Anca-Luminiţa
author_sort Iancu Anca-Luminiţa
collection DOAJ
description The Octagonal Heart (1956) depicts Ariadne Thompson’s memories of the happy summers she spent as a child with her extended family in the octagonal house, Parnassus, a private residence near St. Louis, USA. A strong sense of Greekness permeates the intertwining layers of the memoir, the physical one (the house with its Greek-style decorated rooms arranged in an octagonal shape and its surroundings) and the emotional one (which captures the relationships among the family members and their reactions to significant moments in their lives). This essay proposes a close reading of the memoir with a view to examining how gender, ethnic expectations, and attitudes towards assimilation have impacted the hyphenated identities of three generations of women in Thompson’s family.
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spelling doaj.art-ef30af183862498580b9a8792b7d03942024-01-29T08:49:34ZengSciendoAmerican, British and Canadian Studies Journal1841-964X2023-06-01401587910.2478/abcsj-2023-0007“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal HeartiIancu Anca-Luminiţa01Lucian Blaga University of Sibiu, RomaniaThe Octagonal Heart (1956) depicts Ariadne Thompson’s memories of the happy summers she spent as a child with her extended family in the octagonal house, Parnassus, a private residence near St. Louis, USA. A strong sense of Greekness permeates the intertwining layers of the memoir, the physical one (the house with its Greek-style decorated rooms arranged in an octagonal shape and its surroundings) and the emotional one (which captures the relationships among the family members and their reactions to significant moments in their lives). This essay proposes a close reading of the memoir with a view to examining how gender, ethnic expectations, and attitudes towards assimilation have impacted the hyphenated identities of three generations of women in Thompson’s family.https://doi.org/10.2478/abcsj-2023-0007ariadne thompsonethnicitygender roles and expectationsacculturationmemoirfirst- and second-generation greek americans
spellingShingle Iancu Anca-Luminiţa
“That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti
American, British and Canadian Studies Journal
ariadne thompson
ethnicity
gender roles and expectations
acculturation
memoir
first- and second-generation greek americans
title “That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti
title_full “That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti
title_fullStr “That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti
title_full_unstemmed “That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti
title_short “That’s Purely Greek”: Ethnicity and Gender in Ariadne Thompson’s The Octagonal Hearti
title_sort that s purely greek ethnicity and gender in ariadne thompson s the octagonal hearti
topic ariadne thompson
ethnicity
gender roles and expectations
acculturation
memoir
first- and second-generation greek americans
url https://doi.org/10.2478/abcsj-2023-0007
work_keys_str_mv AT iancuancaluminita thatspurelygreekethnicityandgenderinariadnethompsonstheoctagonalhearti