Sans-abrisme et travail social au féminin
The film Les Invisibles, released at the cinema on January 9, 2019, is a social comedy that tells the daily life of a team of social workers in a day-care center for homeless women. It echoes the sociological work conducted by Marie Loison-Leruste, to whom we asked for a light on the subject treated...
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| Format: | Article |
| Language: | fra |
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La Nouvelle Revue du Travail
2020-11-01
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| Series: | La Nouvelle Revue du Travail |
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| Online Access: | http://journals.openedition.org/nrt/7608 |
| _version_ | 1818381507973087232 |
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| author | Marie Loison-Leruste |
| author_facet | Marie Loison-Leruste |
| author_sort | Marie Loison-Leruste |
| collection | DOAJ |
| description | The film Les Invisibles, released at the cinema on January 9, 2019, is a social comedy that tells the daily life of a team of social workers in a day-care center for homeless women. It echoes the sociological work conducted by Marie Loison-Leruste, to whom we asked for a light on the subject treated by the film-maker, Louis-Julien Petit. What are the points of complementarity between the sociological view and that of the film-maker? On the contrary, what are the differences between the empirical observations that sociologists can make and what the film highlights? While the great precariousness is often treated in a miserabilistic way, Marie Loison-Leruste shows that the film "rings true" and reflects well the living conditions of the homeless women and the difficult working conditions of the social workers who provide them social support. |
| first_indexed | 2024-12-14T02:35:41Z |
| format | Article |
| id | doaj.art-ef400f3d58064828a8392acdfd7365ac |
| institution | Directory Open Access Journal |
| issn | 2263-8989 |
| language | fra |
| last_indexed | 2024-12-14T02:35:41Z |
| publishDate | 2020-11-01 |
| publisher | La Nouvelle Revue du Travail |
| record_format | Article |
| series | La Nouvelle Revue du Travail |
| spelling | doaj.art-ef400f3d58064828a8392acdfd7365ac2022-12-21T23:20:09ZfraLa Nouvelle Revue du TravailLa Nouvelle Revue du Travail2263-89892020-11-011710.4000/nrt.7608Sans-abrisme et travail social au fémininMarie Loison-LerusteThe film Les Invisibles, released at the cinema on January 9, 2019, is a social comedy that tells the daily life of a team of social workers in a day-care center for homeless women. It echoes the sociological work conducted by Marie Loison-Leruste, to whom we asked for a light on the subject treated by the film-maker, Louis-Julien Petit. What are the points of complementarity between the sociological view and that of the film-maker? On the contrary, what are the differences between the empirical observations that sociologists can make and what the film highlights? While the great precariousness is often treated in a miserabilistic way, Marie Loison-Leruste shows that the film "rings true" and reflects well the living conditions of the homeless women and the difficult working conditions of the social workers who provide them social support.http://journals.openedition.org/nrt/7608Homeless womensocial workprecariousnesssocial exclusionpovertyhomelessness |
| spellingShingle | Marie Loison-Leruste Sans-abrisme et travail social au féminin La Nouvelle Revue du Travail Homeless women social work precariousness social exclusion poverty homelessness |
| title | Sans-abrisme et travail social au féminin |
| title_full | Sans-abrisme et travail social au féminin |
| title_fullStr | Sans-abrisme et travail social au féminin |
| title_full_unstemmed | Sans-abrisme et travail social au féminin |
| title_short | Sans-abrisme et travail social au féminin |
| title_sort | sans abrisme et travail social au feminin |
| topic | Homeless women social work precariousness social exclusion poverty homelessness |
| url | http://journals.openedition.org/nrt/7608 |
| work_keys_str_mv | AT marieloisonleruste sansabrismeettravailsocialaufeminin |