Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020)
This paper investigates the representation of bodies in two contemporary Japanese works, namely Murata Sayaka’s Seimeishiki (生命式 , Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (身体を売ること “Selling the Body,” 2020). Both novellas are set in the future and share the trope of the ‘uncanny,’ hei...
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| Format: | Article |
| Language: | deu |
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University of Bologna
2024-03-01
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| Series: | Dive-In |
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| Online Access: | https://dive-in.unibo.it/article/view/19140 |
| _version_ | 1797276849932337152 |
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| author | Anna Specchio |
| author_facet | Anna Specchio |
| author_sort | Anna Specchio |
| collection | DOAJ |
| description | This paper investigates the representation of bodies in two contemporary Japanese works, namely Murata Sayaka’s Seimeishiki (生命式 , Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (身体を売ること “Selling the Body,” 2020). Both novellas are set in the future and share the trope of the ‘uncanny,’ heightened through the transgression of boundaries thanks to the presence of what I refer to as ‘consumed bodies,’ and female protagonists as an ‘unhinged woman,’ the anti-heroine interpreted as a feminist icon recently emblazoned in social networks. In Life Ceremony, the Japanese government has approved anthropophagy as a social practice; in “Selling the Body,” healthy flesh bodies are sold to survive in polluted environments and replaced by robotic ones. Present anxieties concerning the control over bodies and their reproductivity, as well as the fear of objectification are expressed through the practices of cannibalism and cyberization. Consequently, readers are forced to rethink the human nature and ethics in a posthuman dialectic within a hyper-capitalistic society. |
| first_indexed | 2024-03-07T15:34:12Z |
| format | Article |
| id | doaj.art-ef688227562b48f8bba821c50e54e1ae |
| institution | Directory Open Access Journal |
| issn | 2785-3233 |
| language | deu |
| last_indexed | 2024-03-07T15:34:12Z |
| publishDate | 2024-03-01 |
| publisher | University of Bologna |
| record_format | Article |
| series | Dive-In |
| spelling | doaj.art-ef688227562b48f8bba821c50e54e1ae2024-03-05T13:46:33ZdeuUniversity of BolognaDive-In2785-32332024-03-013213515810.6092/issn.2785-3233/1914017504Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020)Anna Specchio0University of TurinThis paper investigates the representation of bodies in two contemporary Japanese works, namely Murata Sayaka’s Seimeishiki (生命式 , Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (身体を売ること “Selling the Body,” 2020). Both novellas are set in the future and share the trope of the ‘uncanny,’ heightened through the transgression of boundaries thanks to the presence of what I refer to as ‘consumed bodies,’ and female protagonists as an ‘unhinged woman,’ the anti-heroine interpreted as a feminist icon recently emblazoned in social networks. In Life Ceremony, the Japanese government has approved anthropophagy as a social practice; in “Selling the Body,” healthy flesh bodies are sold to survive in polluted environments and replaced by robotic ones. Present anxieties concerning the control over bodies and their reproductivity, as well as the fear of objectification are expressed through the practices of cannibalism and cyberization. Consequently, readers are forced to rethink the human nature and ethics in a posthuman dialectic within a hyper-capitalistic society.https://dive-in.unibo.it/article/view/19140murata sayakaono miyukidystopian fictionposthumanbody |
| spellingShingle | Anna Specchio Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020) Dive-In murata sayaka ono miyuki dystopian fiction posthuman body |
| title | Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020) |
| title_full | Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020) |
| title_fullStr | Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020) |
| title_full_unstemmed | Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020) |
| title_short | Consumed Bodies and Unhinged Women. The dystopian worlds of Murata Sayaka’s Seimeishiki (Life Ceremony, 2013) and Ono Miyuki’s Karada o uru koto (“Selling the Body,” 2020) |
| title_sort | consumed bodies and unhinged women the dystopian worlds of murata sayaka s seimeishiki life ceremony 2013 and ono miyuki s karada o uru koto selling the body 2020 |
| topic | murata sayaka ono miyuki dystopian fiction posthuman body |
| url | https://dive-in.unibo.it/article/view/19140 |
| work_keys_str_mv | AT annaspecchio consumedbodiesandunhingedwomenthedystopianworldsofmuratasayakasseimeishikilifeceremony2013andonomiyukiskaradaourukotosellingthebody2020 |