The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry

Marsilio Ficino (1433-1499) and Giovanni Pico della Mirandola (1463-1494) are habitually seen as the twin stars of Neoplatonic Renaissance philosophy, traditionally understood to be in overall agreement. This view is challenged in an analysis of the differences between their interpretations of Plat...

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Main Author: Unn Irene Aasdalen
Format: Article
Language:English
Published: University of Oslo Library 2017-12-01
Series:Acta ad Archaeologiam et Artium Historiam Pertinentia
Online Access:https://journals.uio.no/acta/article/view/5739
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author Unn Irene Aasdalen
author_facet Unn Irene Aasdalen
author_sort Unn Irene Aasdalen
collection DOAJ
description Marsilio Ficino (1433-1499) and Giovanni Pico della Mirandola (1463-1494) are habitually seen as the twin stars of Neoplatonic Renaissance philosophy, traditionally understood to be in overall agreement. This view is challenged in an analysis of the differences between their interpretations of Plato’s Symposium. Although the two philosophers claimed to have found truth under the poetic veil of Plato’s love dialogue, Pico’s truth is not the same as Ficino’s. While Ficino in his Symposium commentary, De amore (in Latin) or Dell’amore (in Italian), underlines the importance of a personal love relationship between men for ascent to the higher realm, Pico finds Ficino’s interpretation of the most sacred passages of Plato’s Symposium utterly profane and lacking in precision.
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spelling doaj.art-ef83ff2447f64d50900de37c93a3034d2023-09-04T14:47:52ZengUniversity of Oslo LibraryActa ad Archaeologiam et Artium Historiam Pertinentia0065-09002611-36862017-12-01195 N.S.10.5617/acta.5739The Symposium Unveiled: Truth, Beauty and Paradox in Platonic PoetryUnn Irene Aasdalen Marsilio Ficino (1433-1499) and Giovanni Pico della Mirandola (1463-1494) are habitually seen as the twin stars of Neoplatonic Renaissance philosophy, traditionally understood to be in overall agreement. This view is challenged in an analysis of the differences between their interpretations of Plato’s Symposium. Although the two philosophers claimed to have found truth under the poetic veil of Plato’s love dialogue, Pico’s truth is not the same as Ficino’s. While Ficino in his Symposium commentary, De amore (in Latin) or Dell’amore (in Italian), underlines the importance of a personal love relationship between men for ascent to the higher realm, Pico finds Ficino’s interpretation of the most sacred passages of Plato’s Symposium utterly profane and lacking in precision. https://journals.uio.no/acta/article/view/5739
spellingShingle Unn Irene Aasdalen
The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry
Acta ad Archaeologiam et Artium Historiam Pertinentia
title The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry
title_full The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry
title_fullStr The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry
title_full_unstemmed The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry
title_short The Symposium Unveiled: Truth, Beauty and Paradox in Platonic Poetry
title_sort symposium unveiled truth beauty and paradox in platonic poetry
url https://journals.uio.no/acta/article/view/5739
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