De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique
Even though presiding over a large transatlantic empire from the 15th to the 19th centuries, Portugal remains relatively unknown, particularly in regards to miniature painting. Nevertheless a few testimonies prove this art form was practiced from the Renaissance onwards. After a period under Spanish...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2019-12-01
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| Series: | Etudes Epistémè |
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| Online Access: | http://journals.openedition.org/episteme/5277 |
| _version_ | 1818261036225003520 |
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| author | Patricia Telles |
| author_facet | Patricia Telles |
| author_sort | Patricia Telles |
| collection | DOAJ |
| description | Even though presiding over a large transatlantic empire from the 15th to the 19th centuries, Portugal remains relatively unknown, particularly in regards to miniature painting. Nevertheless a few testimonies prove this art form was practiced from the Renaissance onwards. After a period under Spanish rule, during which « small portraits » on copper influenced by Spain and Flanders prevailed, miniature painting on ivory became fashionable in Portugal during the last third of the 18th century, under French and Italian influence. Then, thanks to the Portuguese, it arrived in South America. Its development continued in Brazil from 1808 to 1821, when the royal court of Lisbon, fleeing the armies of Napoleon, settled in Rio de Janeiro. |
| first_indexed | 2024-12-12T18:40:50Z |
| format | Article |
| id | doaj.art-efad8d078ddf4eb69ced374b1bbb222a |
| institution | Directory Open Access Journal |
| issn | 1634-0450 |
| language | English |
| last_indexed | 2024-12-12T18:40:50Z |
| publishDate | 2019-12-01 |
| publisher | Institut du Monde Anglophone |
| record_format | Article |
| series | Etudes Epistémè |
| spelling | doaj.art-efad8d078ddf4eb69ced374b1bbb222a2022-12-22T00:15:38ZengInstitut du Monde AnglophoneEtudes Epistémè1634-04502019-12-013610.4000/episteme.5277De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’AmériquePatricia TellesEven though presiding over a large transatlantic empire from the 15th to the 19th centuries, Portugal remains relatively unknown, particularly in regards to miniature painting. Nevertheless a few testimonies prove this art form was practiced from the Renaissance onwards. After a period under Spanish rule, during which « small portraits » on copper influenced by Spain and Flanders prevailed, miniature painting on ivory became fashionable in Portugal during the last third of the 18th century, under French and Italian influence. Then, thanks to the Portuguese, it arrived in South America. Its development continued in Brazil from 1808 to 1821, when the royal court of Lisbon, fleeing the armies of Napoleon, settled in Rio de Janeiro.http://journals.openedition.org/episteme/5277portraitsminiaturesPortugalBrazil17th century18th century |
| spellingShingle | Patricia Telles De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique Etudes Epistémè portraits miniatures Portugal Brazil 17th century 18th century |
| title | De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique |
| title_full | De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique |
| title_fullStr | De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique |
| title_full_unstemmed | De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique |
| title_short | De la miniature au Portugal : peintres et objets voyageurs, entre l’Europe et l’Amérique |
| title_sort | de la miniature au portugal peintres et objets voyageurs entre l europe et l amerique |
| topic | portraits miniatures Portugal Brazil 17th century 18th century |
| url | http://journals.openedition.org/episteme/5277 |
| work_keys_str_mv | AT patriciatelles delaminiatureauportugalpeintresetobjetsvoyageursentreleuropeetlamerique |