On the Cultural History of Time Series Graphs

Taking the insights from diagrammatology – rooting in German media and culture studies (Medienkulturwissenschaft) and semiology – as background, this essay seeks to answer the question of how the history of the visual representation of temporal processes can be captured, and how the emergence of the...

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Main Author: Botond Szemes
Format: Article
Language:deu
Published: Forschungsverbund Marbach Weimar Wolfenbüttel 2024-03-01
Series:Zeitschrift für digitale Geisteswissenschaften
Subjects:
Online Access:https://zfdg.de/2024_001
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author Botond Szemes
author_facet Botond Szemes
author_sort Botond Szemes
collection DOAJ
description Taking the insights from diagrammatology – rooting in German media and culture studies (Medienkulturwissenschaft) and semiology – as background, this essay seeks to answer the question of how the history of the visual representation of temporal processes can be captured, and how the emergence of the statistical time series graph has influenced our ideas about time, history, and stories. To this end, I will provide a cultural-historical overview that, beyond shedding light on the interrelationships between different discourses (e. g., economy, statistics, science, literature), can contribute to a critical examination of perhaps the most widespread type of diagram used today. This overview can be understood more as a proposal for discussion, aimed at encouraging methodological and historical reflections on digital humanities practices, rather than as a presentation of a closed topic.
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spelling doaj.art-efdf78d6d0a749b297bc513ce59427922024-04-02T08:39:55ZdeuForschungsverbund Marbach Weimar WolfenbüttelZeitschrift für digitale Geisteswissenschaften2510-13582024-03-0110.17175/2024_0011883336406On the Cultural History of Time Series GraphsBotond Szemeshttps://orcid.org/0000-0002-0637-6776Taking the insights from diagrammatology – rooting in German media and culture studies (Medienkulturwissenschaft) and semiology – as background, this essay seeks to answer the question of how the history of the visual representation of temporal processes can be captured, and how the emergence of the statistical time series graph has influenced our ideas about time, history, and stories. To this end, I will provide a cultural-historical overview that, beyond shedding light on the interrelationships between different discourses (e. g., economy, statistics, science, literature), can contribute to a critical examination of perhaps the most widespread type of diagram used today. This overview can be understood more as a proposal for discussion, aimed at encouraging methodological and historical reflections on digital humanities practices, rather than as a presentation of a closed topic.https://zfdg.de/2024_001visualisierungzeitwissenschaftstheoriekulturgeschichte
spellingShingle Botond Szemes
On the Cultural History of Time Series Graphs
Zeitschrift für digitale Geisteswissenschaften
visualisierung
zeit
wissenschaftstheorie
kulturgeschichte
title On the Cultural History of Time Series Graphs
title_full On the Cultural History of Time Series Graphs
title_fullStr On the Cultural History of Time Series Graphs
title_full_unstemmed On the Cultural History of Time Series Graphs
title_short On the Cultural History of Time Series Graphs
title_sort on the cultural history of time series graphs
topic visualisierung
zeit
wissenschaftstheorie
kulturgeschichte
url https://zfdg.de/2024_001
work_keys_str_mv AT botondszemes ontheculturalhistoryoftimeseriesgraphs