Passée la porte, il n’y a rien que du vent : Southern et Western, du désenchantement au crépuscule
Southern melodrama can be understood as a generic enclave rooted in traditional melodrama which borrows from the Western genre not only its interrelated historical framework, particular rites, but its recognizable characters, decors, costumes and coded situations. The...
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| Format: | Article |
| Language: | English |
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Presses universitaires de Rennes
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| Series: | Revue LISA |
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| Online Access: | https://journals.openedition.org/lisa/9239 |