Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy

This article intends to inquire the official narrative of the 9/11 terrorist attacks exhibited at the 9/11 Memorial Museum as a mise-en-scène of a tragedy according to the definition theorized by Aristotle in his Poetics. Indeed, the 9/11MM stages a master narrative of the attacks that frames the hi...

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Main Author: Alice Balestrino
Format: Article
Language:English
Published: Department of Foreign Languages and Literatures at the University of Verona 2020-06-01
Series:Iperstoria
Subjects:
Online Access:https://iperstoria.it/article/view/721
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author Alice Balestrino
author_facet Alice Balestrino
author_sort Alice Balestrino
collection DOAJ
description This article intends to inquire the official narrative of the 9/11 terrorist attacks exhibited at the 9/11 Memorial Museum as a mise-en-scène of a tragedy according to the definition theorized by Aristotle in his Poetics. Indeed, the 9/11MM stages a master narrative of the attacks that frames the historical reconstruction and nurtures the memorial endeavor on the basis of Aristotle’s unity of time and place; predominance of performance over narration; explicit distinction between heroes and villains; and the inspiration, in the spectator, of the empathic feelings of fear and pity ultimately leading to the catharsis. In turn, this enactment may be read as the apex of the “us vs. them” rhetoric, inaugurated by President Bush in the wake of the attacks and subsequently endorsed by other politicians and the media alike.
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spelling doaj.art-f048486fc6e743819a0285d72d999fe52022-12-21T22:08:47ZengDepartment of Foreign Languages and Literatures at the University of VeronaIperstoria2281-45822020-06-0101510.13136/2281-4582/2020.i15.721625Dramatic History/Historical Drama. Staging 9/11 as Aristotelian TragedyAlice BalestrinoThis article intends to inquire the official narrative of the 9/11 terrorist attacks exhibited at the 9/11 Memorial Museum as a mise-en-scène of a tragedy according to the definition theorized by Aristotle in his Poetics. Indeed, the 9/11MM stages a master narrative of the attacks that frames the historical reconstruction and nurtures the memorial endeavor on the basis of Aristotle’s unity of time and place; predominance of performance over narration; explicit distinction between heroes and villains; and the inspiration, in the spectator, of the empathic feelings of fear and pity ultimately leading to the catharsis. In turn, this enactment may be read as the apex of the “us vs. them” rhetoric, inaugurated by President Bush in the wake of the attacks and subsequently endorsed by other politicians and the media alike.https://iperstoria.it/article/view/721post-9/11 rhetoric9/11memorial museumaristotle’s poetics
spellingShingle Alice Balestrino
Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy
Iperstoria
post-9/11 rhetoric
9/11memorial museum
aristotle’s poetics
title Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy
title_full Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy
title_fullStr Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy
title_full_unstemmed Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy
title_short Dramatic History/Historical Drama. Staging 9/11 as Aristotelian Tragedy
title_sort dramatic history historical drama staging 9 11 as aristotelian tragedy
topic post-9/11 rhetoric
9/11memorial museum
aristotle’s poetics
url https://iperstoria.it/article/view/721
work_keys_str_mv AT alicebalestrino dramatichistoryhistoricaldramastaging911asaristoteliantragedy