Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder
Familiarity and novelty are fundamental yet competing factors influencing aesthetic preference. However, whether people prefer familiar paintings or novel paintings has not been clear. Using both behavioral and eye-tracking measures, the present study aimed to investigate whether the effect of famil...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
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Frontiers Media S.A.
2021-07-01
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| Series: | Frontiers in Psychology |
| Subjects: | |
| Online Access: | https://www.frontiersin.org/articles/10.3389/fpsyg.2021.694927/full |
| _version_ | 1818455843464544256 |
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| author | Jiwon Song Yuna Kwak Chai-Youn Kim |
| author_facet | Jiwon Song Yuna Kwak Chai-Youn Kim |
| author_sort | Jiwon Song |
| collection | DOAJ |
| description | Familiarity and novelty are fundamental yet competing factors influencing aesthetic preference. However, whether people prefer familiar paintings or novel paintings has not been clear. Using both behavioral and eye-tracking measures, the present study aimed to investigate whether the effect of familiarity-novelty on aesthetic preference is independent or dependent on artwork properties (painting content, visual complexity) and viewer characteristics (experience in art). Participants were presented with two images of paintings, one of which was repeatedly presented but was always paired with a new painting in a randomized lateral arrangement. They were asked to indicate which of the two images they preferred with the degree of their preference. Behavioral results demonstrated an interactive influence of painting content and complexity on familiarity-novelty preference, especially alongside the distinction between representational and abstract paintings. Also, the familiarity-novelty preference was modulated by the degree of art experience, for abstract paintings in particular. Gaze results showed the differential effects of painting content, complexity, and art experience echoing the behavioral results. Taken together, the convergent results derived from behavioral and eye-tracking measures imply that novelty is an important feature of aesthetic appreciation, but its influence is modulated by properties of both the artwork and the beholder. |
| first_indexed | 2024-12-14T22:17:13Z |
| format | Article |
| id | doaj.art-f056f2ca14f646818bea403671dc0853 |
| institution | Directory Open Access Journal |
| issn | 1664-1078 |
| language | English |
| last_indexed | 2024-12-14T22:17:13Z |
| publishDate | 2021-07-01 |
| publisher | Frontiers Media S.A. |
| record_format | Article |
| series | Frontiers in Psychology |
| spelling | doaj.art-f056f2ca14f646818bea403671dc08532022-12-21T22:45:36ZengFrontiers Media S.A.Frontiers in Psychology1664-10782021-07-011210.3389/fpsyg.2021.694927694927Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the BeholderJiwon SongYuna KwakChai-Youn KimFamiliarity and novelty are fundamental yet competing factors influencing aesthetic preference. However, whether people prefer familiar paintings or novel paintings has not been clear. Using both behavioral and eye-tracking measures, the present study aimed to investigate whether the effect of familiarity-novelty on aesthetic preference is independent or dependent on artwork properties (painting content, visual complexity) and viewer characteristics (experience in art). Participants were presented with two images of paintings, one of which was repeatedly presented but was always paired with a new painting in a randomized lateral arrangement. They were asked to indicate which of the two images they preferred with the degree of their preference. Behavioral results demonstrated an interactive influence of painting content and complexity on familiarity-novelty preference, especially alongside the distinction between representational and abstract paintings. Also, the familiarity-novelty preference was modulated by the degree of art experience, for abstract paintings in particular. Gaze results showed the differential effects of painting content, complexity, and art experience echoing the behavioral results. Taken together, the convergent results derived from behavioral and eye-tracking measures imply that novelty is an important feature of aesthetic appreciation, but its influence is modulated by properties of both the artwork and the beholder.https://www.frontiersin.org/articles/10.3389/fpsyg.2021.694927/fullpreferencepaintingsfamiliaritynoveltycontentvisual complexity |
| spellingShingle | Jiwon Song Yuna Kwak Chai-Youn Kim Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder Frontiers in Psychology preference paintings familiarity novelty content visual complexity |
| title | Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder |
| title_full | Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder |
| title_fullStr | Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder |
| title_full_unstemmed | Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder |
| title_short | Familiarity and Novelty in Aesthetic Preference: The Effects of the Properties of the Artwork and the Beholder |
| title_sort | familiarity and novelty in aesthetic preference the effects of the properties of the artwork and the beholder |
| topic | preference paintings familiarity novelty content visual complexity |
| url | https://www.frontiersin.org/articles/10.3389/fpsyg.2021.694927/full |
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