Modern Iranian Ghazal and New Aesthetic Aspects of Beloved
Abstract Beloved is the axis of persian lyric poem and the description of beloved and invention related images have a colorful presence in the Persian love poem; Poets have always spoken about the beloved's lips, eyes, hair and depicted the dimensions of the beloved's beauty. The aesthetic...
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| Format: | Article |
| Language: | English |
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Shahid Bahonar University of Kerman
2023-08-01
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| Series: | مجله مطالعات ایرانی |
| Subjects: | |
| Online Access: | https://jis.uk.ac.ir/article_4065_21ede5555b5b141c1171bf3ed956bfd1.pdf |
| _version_ | 1797208119819894784 |
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| author | yaghub novruzi |
| author_facet | yaghub novruzi |
| author_sort | yaghub novruzi |
| collection | DOAJ |
| description | Abstract
Beloved is the axis of persian lyric poem and the description of beloved and invention related images have a colorful presence in the Persian love poem; Poets have always spoken about the beloved's lips, eyes, hair and depicted the dimensions of the beloved's beauty. The aesthetics of the beloved in traditional ghazal is a repetitive and stereotyped, and poets have often depicted the same aspects of beauty in the beloved; It seems like all poets had a single lover and this factor was caused by not relying on individual experiences and reality in description of beloved. This approach in aesthetic aspects of beloved, changed in persian modern Ghazal; this change result of relying to individualism, realism and emphasis on personal vision. With empiricism, individualism, realism and emphasis on personal vision, poets depict the lover as she is, and by creating images different from traditional ghazal about the beauty of the beloved, they do not repeat boring images. This article with a descriptive-analytical method, an attempt has been made to explain this change of approach in the contemporary persia ghazal in the image of the aesthetic aspects of the beloved. new and unprecedented images and descriptions of the aesthetic aspects of beloved have been investigated and analyzed. The result of the present research shows a change in the approach of contemporary persia ghazal in the description and imagery of the beloved. |
| first_indexed | 2024-04-24T09:33:45Z |
| format | Article |
| id | doaj.art-f057a6cdee874c2285a5dfb80681afb2 |
| institution | Directory Open Access Journal |
| issn | 1735-0700 2980-8766 |
| language | English |
| last_indexed | 2024-04-24T09:33:45Z |
| publishDate | 2023-08-01 |
| publisher | Shahid Bahonar University of Kerman |
| record_format | Article |
| series | مجله مطالعات ایرانی |
| spelling | doaj.art-f057a6cdee874c2285a5dfb80681afb22024-04-15T13:04:29ZengShahid Bahonar University of Kermanمجله مطالعات ایرانی1735-07002980-87662023-08-01224362766210.22103/jis.2023.40654065Modern Iranian Ghazal and New Aesthetic Aspects of Belovedyaghub novruzi0faculty of persian language and literature,islamic azad university, maku branch, maku, iranAbstract Beloved is the axis of persian lyric poem and the description of beloved and invention related images have a colorful presence in the Persian love poem; Poets have always spoken about the beloved's lips, eyes, hair and depicted the dimensions of the beloved's beauty. The aesthetics of the beloved in traditional ghazal is a repetitive and stereotyped, and poets have often depicted the same aspects of beauty in the beloved; It seems like all poets had a single lover and this factor was caused by not relying on individual experiences and reality in description of beloved. This approach in aesthetic aspects of beloved, changed in persian modern Ghazal; this change result of relying to individualism, realism and emphasis on personal vision. With empiricism, individualism, realism and emphasis on personal vision, poets depict the lover as she is, and by creating images different from traditional ghazal about the beauty of the beloved, they do not repeat boring images. This article with a descriptive-analytical method, an attempt has been made to explain this change of approach in the contemporary persia ghazal in the image of the aesthetic aspects of the beloved. new and unprecedented images and descriptions of the aesthetic aspects of beloved have been investigated and analyzed. The result of the present research shows a change in the approach of contemporary persia ghazal in the description and imagery of the beloved.https://jis.uk.ac.ir/article_4065_21ede5555b5b141c1171bf3ed956bfd1.pdfkeywords: modern persian ghazalbeloved aestheticsinnovationimagerydescription |
| spellingShingle | yaghub novruzi Modern Iranian Ghazal and New Aesthetic Aspects of Beloved مجله مطالعات ایرانی keywords: modern persian ghazal beloved aesthetics innovation imagery description |
| title | Modern Iranian Ghazal and New Aesthetic Aspects of Beloved |
| title_full | Modern Iranian Ghazal and New Aesthetic Aspects of Beloved |
| title_fullStr | Modern Iranian Ghazal and New Aesthetic Aspects of Beloved |
| title_full_unstemmed | Modern Iranian Ghazal and New Aesthetic Aspects of Beloved |
| title_short | Modern Iranian Ghazal and New Aesthetic Aspects of Beloved |
| title_sort | modern iranian ghazal and new aesthetic aspects of beloved |
| topic | keywords: modern persian ghazal beloved aesthetics innovation imagery description |
| url | https://jis.uk.ac.ir/article_4065_21ede5555b5b141c1171bf3ed956bfd1.pdf |
| work_keys_str_mv | AT yaghubnovruzi moderniranianghazalandnewaestheticaspectsofbeloved |