Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art

The ballet environment is very specific – hermetic and small. Analysing the history and literature of ballet as well as looking at the contemporary repertoire of leading ballet companies, it is easy to notice the numerous domination of women, which does not determine their dominance in the creative...

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Main Author: Emilia Cholewicka
Format: Article
Language:Polish
Published: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie 2021-06-01
Series:Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Subjects:
Online Access:https://studiadecultura.up.krakow.pl/article/view/8881
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author Emilia Cholewicka
author_facet Emilia Cholewicka
author_sort Emilia Cholewicka
collection DOAJ
description The ballet environment is very specific – hermetic and small. Analysing the history and literature of ballet as well as looking at the contemporary repertoire of leading ballet companies, it is easy to notice the numerous domination of women, which does not determine their dominance in the creative (choreography) and management sphere. In Poland, in the season 2019/2020, 6 out of 9 largest, primer ballet companies are headed by men. As research has shown, it is the male gender that has been dominating in choreography for years, constituting the spectacles shown on the stages and, as a result, the ballet heritage. The article Women to the placards! The socio-economic situation of female choreographers in the male world of ballet art shed light on the labour market of Polish choreographers working in leading ballet companies, pointing out the prevailing inequalities between men and women who are involved in ballet choreography. In this study, I apply the methods of social sciences (documentary evidence analysis – repertoire and labour force of 9 primer Polish ballet companies in the season 2019/2020), I analyse the data collected during the study Estimation of the number of artists, creators and performers in Poland (Ilczuk et al. 2018), whilst cultural economics is the theoretical framework of my study. This theoretical-methodical base allowed me to expose the inequalities, potential causes and dependencies that exist on the labour market of artists creating ballet choreographies. An immanent feature of this market is the deficit of women.
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spelling doaj.art-f063cd8fa41e45eab6bc6c324a2a4e092022-12-21T23:43:37ZpolUniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w KrakowieAnnales Universitatis Paedagogicae Cracoviensis. Studia de Cultura2083-72752391-44322021-06-01132728910.24917/20837275.13.2.68722Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet ArtEmilia Cholewicka0SWPS Uniwersytet Humanistycznospołeczny w WarszawieThe ballet environment is very specific – hermetic and small. Analysing the history and literature of ballet as well as looking at the contemporary repertoire of leading ballet companies, it is easy to notice the numerous domination of women, which does not determine their dominance in the creative (choreography) and management sphere. In Poland, in the season 2019/2020, 6 out of 9 largest, primer ballet companies are headed by men. As research has shown, it is the male gender that has been dominating in choreography for years, constituting the spectacles shown on the stages and, as a result, the ballet heritage. The article Women to the placards! The socio-economic situation of female choreographers in the male world of ballet art shed light on the labour market of Polish choreographers working in leading ballet companies, pointing out the prevailing inequalities between men and women who are involved in ballet choreography. In this study, I apply the methods of social sciences (documentary evidence analysis – repertoire and labour force of 9 primer Polish ballet companies in the season 2019/2020), I analyse the data collected during the study Estimation of the number of artists, creators and performers in Poland (Ilczuk et al. 2018), whilst cultural economics is the theoretical framework of my study. This theoretical-methodical base allowed me to expose the inequalities, potential causes and dependencies that exist on the labour market of artists creating ballet choreographies. An immanent feature of this market is the deficit of women.https://studiadecultura.up.krakow.pl/article/view/8881artists’ labour marketballetchoreographerswomeninequalitycultural economics
spellingShingle Emilia Cholewicka
Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
artists’ labour market
ballet
choreographers
women
inequality
cultural economics
title Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art
title_full Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art
title_fullStr Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art
title_full_unstemmed Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art
title_short Women to the Placards! The Socio-economic Situation of Female Choreographers in the Male World of Ballet Art
title_sort women to the placards the socio economic situation of female choreographers in the male world of ballet art
topic artists’ labour market
ballet
choreographers
women
inequality
cultural economics
url https://studiadecultura.up.krakow.pl/article/view/8881
work_keys_str_mv AT emiliacholewicka womentotheplacardsthesocioeconomicsituationoffemalechoreographersinthemaleworldofballetart