Carl Larsson läser Anna Maria Lenngren utan literary transfer
Carl Larsson Reading Anna Maria Lenngren without ”Literary Transfer”. On ”Literary Competence” and ”Personal Reading” Reading literature, we relate the fictive life we encounter to our own. That mechanism is called ”literary transfer”. The concept was introduced in the 1970’s, but dates back to...
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Format: | Article |
Language: | Danish |
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Föreningen för utgivande av Tidskrift för litteraturvetenskap
2013-01-01
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Series: | Tidskrift för Litteraturvetenskap |
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Online Access: | https://publicera.kb.se/tfl/article/view/10798 |
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author | Örjan Torell |
author_facet | Örjan Torell |
author_sort | Örjan Torell |
collection | DOAJ |
description |
Carl Larsson Reading Anna Maria Lenngren without ”Literary Transfer”. On ”Literary Competence” and ”Personal Reading”
Reading literature, we relate the fictive life we encounter to our own. That mechanism is called ”literary transfer”. The concept was introduced in the 1970’s, but dates back to classical rhetoric, where it is known as subtilitas applicandi. ”Literary transfer” is also an equivalent to Louise Rosenblatt’s concept of ”aesthetic stance”, which concerns the personal aspects of reading theory. Inspired by Mikhail Bakhtin and his understanding of literature as a very personal form of dialogue, I see ”literary transfer” as a fundamental aspect of literary competence that deserves further exploration. My article opens with an attempt to show with visual clarity the potential and function of ”literary transfer” and personal reading. To this end, one of Carl Larsson’s illustrations for an 1884 edition of Anna Maria Lenngren’s poems is classified as a literary reading without ”transfer”, whereas an example of his later Sundborn art is shown to be, in principle, a work of ”transfer”-art. I then demonstrate some misunderstandings in the field of personal reading, and suggest that they are the typical and systematic results of a dichotomised model of thinking that views personal reading as something principally alien – or even hostile – to literary competence.
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first_indexed | 2024-03-11T18:14:44Z |
format | Article |
id | doaj.art-f088555b56d1481999c13574aa5510b4 |
institution | Directory Open Access Journal |
issn | 2001-094X |
language | Danish |
last_indexed | 2024-03-11T18:14:44Z |
publishDate | 2013-01-01 |
publisher | Föreningen för utgivande av Tidskrift för litteraturvetenskap |
record_format | Article |
series | Tidskrift för Litteraturvetenskap |
spelling | doaj.art-f088555b56d1481999c13574aa5510b42023-10-16T09:33:02ZdanFöreningen för utgivande av Tidskrift för litteraturvetenskapTidskrift för Litteraturvetenskap2001-094X2013-01-01433-410.54797/tfl.v43i3-4.10798Carl Larsson läser Anna Maria Lenngren utan literary transferÖrjan Torell Carl Larsson Reading Anna Maria Lenngren without ”Literary Transfer”. On ”Literary Competence” and ”Personal Reading” Reading literature, we relate the fictive life we encounter to our own. That mechanism is called ”literary transfer”. The concept was introduced in the 1970’s, but dates back to classical rhetoric, where it is known as subtilitas applicandi. ”Literary transfer” is also an equivalent to Louise Rosenblatt’s concept of ”aesthetic stance”, which concerns the personal aspects of reading theory. Inspired by Mikhail Bakhtin and his understanding of literature as a very personal form of dialogue, I see ”literary transfer” as a fundamental aspect of literary competence that deserves further exploration. My article opens with an attempt to show with visual clarity the potential and function of ”literary transfer” and personal reading. To this end, one of Carl Larsson’s illustrations for an 1884 edition of Anna Maria Lenngren’s poems is classified as a literary reading without ”transfer”, whereas an example of his later Sundborn art is shown to be, in principle, a work of ”transfer”-art. I then demonstrate some misunderstandings in the field of personal reading, and suggest that they are the typical and systematic results of a dichotomised model of thinking that views personal reading as something principally alien – or even hostile – to literary competence. https://publicera.kb.se/tfl/article/view/10798Rosenblattliterary transferpersonal readingliterary competenceBakhtin |
spellingShingle | Örjan Torell Carl Larsson läser Anna Maria Lenngren utan literary transfer Tidskrift för Litteraturvetenskap Rosenblatt literary transfer personal reading literary competence Bakhtin |
title | Carl Larsson läser Anna Maria Lenngren utan literary transfer |
title_full | Carl Larsson läser Anna Maria Lenngren utan literary transfer |
title_fullStr | Carl Larsson läser Anna Maria Lenngren utan literary transfer |
title_full_unstemmed | Carl Larsson läser Anna Maria Lenngren utan literary transfer |
title_short | Carl Larsson läser Anna Maria Lenngren utan literary transfer |
title_sort | carl larsson laser anna maria lenngren utan literary transfer |
topic | Rosenblatt literary transfer personal reading literary competence Bakhtin |
url | https://publicera.kb.se/tfl/article/view/10798 |
work_keys_str_mv | AT orjantorell carllarssonlaserannamarialenngrenutanliterarytransfer |