An Imagist Reading of William Carlos Williams’ “The Wanderer”

This paper examines William Carlos Williams’ “The Wanderer,” one of the earliest poems in his poetic career, in terms of one of the Imagistic tenets that Williams adopted, that is “Direct treatment of the ‘thing’, whether subjective or objective.” Although Williams was highly influenced by Keatsian...

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Main Author: Zahraa Essa
Format: Article
Language:Arabic
Published: University of Baghdad 2024-03-01
Series:مجلة الآداب
Subjects:
Online Access:https://aladabj.uobaghdad.edu.iq/index.php/aladabjournal/article/view/4232
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author Zahraa Essa
author_facet Zahraa Essa
author_sort Zahraa Essa
collection DOAJ
description This paper examines William Carlos Williams’ “The Wanderer,” one of the earliest poems in his poetic career, in terms of one of the Imagistic tenets that Williams adopted, that is “Direct treatment of the ‘thing’, whether subjective or objective.” Although Williams was highly influenced by Keatsian idealism which appeared in his early works, yet “The Wanderer” presents his attempt of making this romantic ideology as a starting point for his more imagistic approach. The paper follows and investigates the journey of the poet (in the poem) in his flight from the heights of his past romantic wanderings into more local and modernist encounters which he presents as episodes and images. The culmination of this experience leads to a baptism ritual through which the poet announces a new wandering that is would be purely imagist.
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spelling doaj.art-f0a0b29e2ba243649607628e0bab7a202024-03-17T12:42:45ZaraUniversity of Baghdadمجلة الآداب1994-473X2706-99312024-03-01114810.31973/aj.v1i148.4232An Imagist Reading of William Carlos Williams’ “The Wanderer”Zahraa Essa0Department of English/ College of Arts/ Ahlulbayt University This paper examines William Carlos Williams’ “The Wanderer,” one of the earliest poems in his poetic career, in terms of one of the Imagistic tenets that Williams adopted, that is “Direct treatment of the ‘thing’, whether subjective or objective.” Although Williams was highly influenced by Keatsian idealism which appeared in his early works, yet “The Wanderer” presents his attempt of making this romantic ideology as a starting point for his more imagistic approach. The paper follows and investigates the journey of the poet (in the poem) in his flight from the heights of his past romantic wanderings into more local and modernist encounters which he presents as episodes and images. The culmination of this experience leads to a baptism ritual through which the poet announces a new wandering that is would be purely imagist. https://aladabj.uobaghdad.edu.iq/index.php/aladabjournal/article/view/4232William Carlos WilliamsImagismThe WandererModernismRomanticismAmerican poetry
spellingShingle Zahraa Essa
An Imagist Reading of William Carlos Williams’ “The Wanderer”
مجلة الآداب
William Carlos Williams
Imagism
The Wanderer
Modernism
Romanticism
American poetry
title An Imagist Reading of William Carlos Williams’ “The Wanderer”
title_full An Imagist Reading of William Carlos Williams’ “The Wanderer”
title_fullStr An Imagist Reading of William Carlos Williams’ “The Wanderer”
title_full_unstemmed An Imagist Reading of William Carlos Williams’ “The Wanderer”
title_short An Imagist Reading of William Carlos Williams’ “The Wanderer”
title_sort imagist reading of william carlos williams the wanderer
topic William Carlos Williams
Imagism
The Wanderer
Modernism
Romanticism
American poetry
url https://aladabj.uobaghdad.edu.iq/index.php/aladabjournal/article/view/4232
work_keys_str_mv AT zahraaessa animagistreadingofwilliamcarloswilliamsthewanderer
AT zahraaessa imagistreadingofwilliamcarloswilliamsthewanderer