Kant and Hegel on Aesthetic Reflexivity

The paper aims at reevaluating a conception of the aesthetic that was developed by Kant and Hegel but that has been widely neglected due to the fact that their positions in aesthetics have been wrongly considered to be antagonistic to one another. The conception states that the aesthetic is a practi...

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Main Author: جرج و. برترام
Format: Article
Language:English
Published: University of Tabriz, Faculty of Literature and Forigen Languages 2018-09-01
Series:Journal of Philosophical Investigations
Subjects:
Online Access:http://philosophy.tabrizu.ac.ir/article_7993_e56b93852a3e15809e6119c0a2eca423.pdf
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author جرج و. برترام
author_facet جرج و. برترام
author_sort جرج و. برترام
collection DOAJ
description The paper aims at reevaluating a conception of the aesthetic that was developed by Kant and Hegel but that has been widely neglected due to the fact that their positions in aesthetics have been wrongly considered to be antagonistic to one another. The conception states that the aesthetic is a practice of reflecting on other human practices. Kant was the first to articulate this conception, but nevertheless falls short of giving a satisfying account of it, as he doesn’t succeed in explaining its objective aspect. I claim that Hegel resolves this problem by understanding works of art as objects that thermalize essential orientations of historical-cultural practices. But his explanation fails to grasp the specificity of art as a reflective practice. However, Hegel’s position gives us a hint for how to deal with this problem: Reflection has to be understood in a practical, and not in a cognitive sense.
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spelling doaj.art-f0c6db40adcf4a958b665a6e43cb24442023-09-03T01:15:12ZengUniversity of Tabriz, Faculty of Literature and Forigen LanguagesJournal of Philosophical Investigations2251-79602423-44192018-09-011224951137993Kant and Hegel on Aesthetic Reflexivityجرج و. برترام0استاد فلسفه، دانشگاه FU برلین آلمانThe paper aims at reevaluating a conception of the aesthetic that was developed by Kant and Hegel but that has been widely neglected due to the fact that their positions in aesthetics have been wrongly considered to be antagonistic to one another. The conception states that the aesthetic is a practice of reflecting on other human practices. Kant was the first to articulate this conception, but nevertheless falls short of giving a satisfying account of it, as he doesn’t succeed in explaining its objective aspect. I claim that Hegel resolves this problem by understanding works of art as objects that thermalize essential orientations of historical-cultural practices. But his explanation fails to grasp the specificity of art as a reflective practice. However, Hegel’s position gives us a hint for how to deal with this problem: Reflection has to be understood in a practical, and not in a cognitive sense.http://philosophy.tabrizu.ac.ir/article_7993_e56b93852a3e15809e6119c0a2eca423.pdfAesthetic ReflexivitypracticeHegel and Kant
spellingShingle جرج و. برترام
Kant and Hegel on Aesthetic Reflexivity
Journal of Philosophical Investigations
Aesthetic Reflexivity
practice
Hegel and Kant
title Kant and Hegel on Aesthetic Reflexivity
title_full Kant and Hegel on Aesthetic Reflexivity
title_fullStr Kant and Hegel on Aesthetic Reflexivity
title_full_unstemmed Kant and Hegel on Aesthetic Reflexivity
title_short Kant and Hegel on Aesthetic Reflexivity
title_sort kant and hegel on aesthetic reflexivity
topic Aesthetic Reflexivity
practice
Hegel and Kant
url http://philosophy.tabrizu.ac.ir/article_7993_e56b93852a3e15809e6119c0a2eca423.pdf
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