Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains

Abd al-Wahhab al-Bayati is one of the most prominent twentieth-century Arab poets. His poetry makes a drastic shift from politically committed in the 1950s and 1960s to metapoetic in the 1970s onward. In his post-Nasserist works, al-Bayati interrogates the role of poets and the function of their poe...

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Main Author: Waed Athamneh
Format: Article
Language:English
Published: Pluto Journals 2018-03-01
Series:Arab Studies Quarterly
Online Access:https://www.scienceopen.com/hosted-document?doi=10.13169/arabstudquar.40.2.0097
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author Waed Athamneh
author_facet Waed Athamneh
author_sort Waed Athamneh
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description Abd al-Wahhab al-Bayati is one of the most prominent twentieth-century Arab poets. His poetry makes a drastic shift from politically committed in the 1950s and 1960s to metapoetic in the 1970s onward. In his post-Nasserist works, al-Bayati interrogates the role of poets and the function of their poetry. This article explores some of the main metapoetic themes in al-Bayati's poem “Meditations on the Other Face of Love,” which was published in 1979. The article argues that al-Bayati consciously uses reflexive poetry as a platform to blur the line between poetry and literary criticism and to declare his discontent with the literary scene and the political status quo in the Arab world. The article also examines some of the poetry by Nizar Qabbani and Muzaffar al-Nawab, in relation to that of al-Bayati. These three poets provide a poetic discussion of “terrorism” against the hegemony of political discourse, and demand that Arab citizens reject their undignified lives by adopting resistance and rejecting terrorism.
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spelling doaj.art-f0d7189ba4794f41adf98a2eb72483942023-09-13T10:25:37ZengPluto JournalsArab Studies Quarterly0271-35192043-69202018-03-014029711610.13169/arabstudquar.40.2.0097Arabic Poetry and Terrorism: The Dictator Perishes and the Poet RemainsWaed AthamnehAbd al-Wahhab al-Bayati is one of the most prominent twentieth-century Arab poets. His poetry makes a drastic shift from politically committed in the 1950s and 1960s to metapoetic in the 1970s onward. In his post-Nasserist works, al-Bayati interrogates the role of poets and the function of their poetry. This article explores some of the main metapoetic themes in al-Bayati's poem “Meditations on the Other Face of Love,” which was published in 1979. The article argues that al-Bayati consciously uses reflexive poetry as a platform to blur the line between poetry and literary criticism and to declare his discontent with the literary scene and the political status quo in the Arab world. The article also examines some of the poetry by Nizar Qabbani and Muzaffar al-Nawab, in relation to that of al-Bayati. These three poets provide a poetic discussion of “terrorism” against the hegemony of political discourse, and demand that Arab citizens reject their undignified lives by adopting resistance and rejecting terrorism.https://www.scienceopen.com/hosted-document?doi=10.13169/arabstudquar.40.2.0097
spellingShingle Waed Athamneh
Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains
Arab Studies Quarterly
title Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains
title_full Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains
title_fullStr Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains
title_full_unstemmed Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains
title_short Arabic Poetry and Terrorism: The Dictator Perishes and the Poet Remains
title_sort arabic poetry and terrorism the dictator perishes and the poet remains
url https://www.scienceopen.com/hosted-document?doi=10.13169/arabstudquar.40.2.0097
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