The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music

This analysis discusses and establishes critical counterpoints on the Afro-Peruvian "rebirth" of the 50s and the circulation of imported aesthetic concepts of Blackness in Latin America, based on theoretical constructs seeking to understand this phenomenon in the light of a postmodern appr...

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Main Author: Fernando Elías Llanos
Format: Article
Language:English
Published: Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras (Universidad de Buenos Aires) 2017-03-01
Series:El Oído Pensante
Subjects:
Online Access:http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9588
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author Fernando Elías Llanos
author_facet Fernando Elías Llanos
author_sort Fernando Elías Llanos
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description This analysis discusses and establishes critical counterpoints on the Afro-Peruvian "rebirth" of the 50s and the circulation of imported aesthetic concepts of Blackness in Latin America, based on theoretical constructs seeking to understand this phenomenon in the light of a postmodern approach on globalization and popular culture. We also offer the alternatives of the notion of Afro-Andean for understanding the historical particularities of the Latin American black subject, in counterpoint to Anglos discourses on the matter, and a case study of black guitar player Félix Casaverde and its notion of Peruvian blackness.
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spelling doaj.art-f15d44045b6048abbdbc02b978ef68dc2022-12-21T18:31:07ZengInstituto de Ciencias Antropológicas, Facultad de Filosofía y Letras (Universidad de Buenos Aires)El Oído Pensante2250-71162017-03-01515957The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black MusicFernando Elías Llanos0¹ Programa de Pós Graduação em Música - Escola de Comunicações e Artes da Universidade de São Paulo. ² Fundação das Artes de São Caetano do Sul.This analysis discusses and establishes critical counterpoints on the Afro-Peruvian "rebirth" of the 50s and the circulation of imported aesthetic concepts of Blackness in Latin America, based on theoretical constructs seeking to understand this phenomenon in the light of a postmodern approach on globalization and popular culture. We also offer the alternatives of the notion of Afro-Andean for understanding the historical particularities of the Latin American black subject, in counterpoint to Anglos discourses on the matter, and a case study of black guitar player Félix Casaverde and its notion of Peruvian blackness.http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9588afroperuanodiscursoafroandinomúsica afroperuanaFélix Casaverde
spellingShingle Fernando Elías Llanos
The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music
El Oído Pensante
afroperuano
discurso
afroandino
música afroperuana
Félix Casaverde
title The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music
title_full The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music
title_fullStr The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music
title_full_unstemmed The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music
title_short The Black Pacific and the Pacific’s Black: Contrasting Gilroy’s Theses about Peruvian Black Music
title_sort black pacific and the pacific s black contrasting gilroy s theses about peruvian black music
topic afroperuano
discurso
afroandino
música afroperuana
Félix Casaverde
url http://ppct.caicyt.gov.ar/index.php/oidopensante/article/view/9588
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