| Summary: | Natural occurrences and the choice of specific materials have a major impact on the experience of the physical environment. The results of a recent study using a free listing task involving only adjectives suggested that the conceptual structure of the aesthetics of materials is structured by sensorial, neutrally valenced, descriptive terms, while showing no primacy of beauty. The present article examined the conceptual structure underlying the aesthetic experience of various materials using a different methodological approach. Applying a technique based upon semantic differentials, individuals in the present study (n = 272) were asked to judge the applicability of the most frequently listed terms in the previous study to the aesthetics of different materials. Overall, the results of multiple analyses yielded a converging picture for the two studies. Additionally, as materials constitute the basis of complete entities, the role of products in the conceptual representation of the aesthetics of materials was investigated with an exploratory approach. No support was found for the hypothesis that products play such a role. Finally, limitations regarding the outcome of the present study are discussed. All things considered, the results of this study highlight the uniqueness of the aesthetics of materials and its distinctness from the conceptual representations underlying most other aesthetic domains.
|
|---|