Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)

Argento’s gialli – i.e. Italian-style thrillers – from The Bird with the Crystal Plumage (1970) onwards present a succession of protagonists who find themselves haunted by some vital fragment of sound or image that they cannot quite recall, going up against antagonists whose inability to overcome th...

Full description

Bibliographic Details
Main Author: Keith Hennessey Brown
Format: Article
Language:English
Published: University of Edinburgh 2008-12-01
Series:Forum
Online Access:http://journals.ed.ac.uk/forum/article/view/609
_version_ 1797979071794118656
author Keith Hennessey Brown
author_facet Keith Hennessey Brown
author_sort Keith Hennessey Brown
collection DOAJ
description Argento’s gialli – i.e. Italian-style thrillers – from The Bird with the Crystal Plumage (1970) onwards present a succession of protagonists who find themselves haunted by some vital fragment of sound or image that they cannot quite recall, going up against antagonists whose inability to overcome the haunting legacy of some incident in their past compels them to kill again and again. Unsurprisingly this has encouraged many commentators to take a psychoanalytic approach to Argento’s gialli and those of his imitators.  However, there is the haunting trace of something else here in that the Argento giallo is distinguished by its excessiveness, as Maitland McDonagh argues. In this paper, I wish to undertake such a reading of one specific but in certain respects exemplary Argento giallo, Opera (1987). Beginning with an outline of the film’s narrative for those unfamiliar with it, I will proceed by interrogating some of its most striking images, seeking to bring out an alternative ‘hauntology’ of their possible meanings based on the notion of the palimpsest and the aesthetic ideas of Pier Paolo Pasolini (1965) and Edgar Allan Poe (1845).
first_indexed 2024-04-11T05:33:07Z
format Article
id doaj.art-f2623aa07b7d416eab241eda57528fd1
institution Directory Open Access Journal
issn 1749-9771
language English
last_indexed 2024-04-11T05:33:07Z
publishDate 2008-12-01
publisher University of Edinburgh
record_format Article
series Forum
spelling doaj.art-f2623aa07b7d416eab241eda57528fd12022-12-22T16:25:30ZengUniversity of EdinburghForum1749-97712008-12-010710.2218/forum.07.609609Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)Keith Hennessey Brown0University of EdinburghArgento’s gialli – i.e. Italian-style thrillers – from The Bird with the Crystal Plumage (1970) onwards present a succession of protagonists who find themselves haunted by some vital fragment of sound or image that they cannot quite recall, going up against antagonists whose inability to overcome the haunting legacy of some incident in their past compels them to kill again and again. Unsurprisingly this has encouraged many commentators to take a psychoanalytic approach to Argento’s gialli and those of his imitators.  However, there is the haunting trace of something else here in that the Argento giallo is distinguished by its excessiveness, as Maitland McDonagh argues. In this paper, I wish to undertake such a reading of one specific but in certain respects exemplary Argento giallo, Opera (1987). Beginning with an outline of the film’s narrative for those unfamiliar with it, I will proceed by interrogating some of its most striking images, seeking to bring out an alternative ‘hauntology’ of their possible meanings based on the notion of the palimpsest and the aesthetic ideas of Pier Paolo Pasolini (1965) and Edgar Allan Poe (1845).http://journals.ed.ac.uk/forum/article/view/609
spellingShingle Keith Hennessey Brown
Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
Forum
title Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
title_full Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
title_fullStr Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
title_full_unstemmed Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
title_short Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
title_sort palimpsest pasolini poe and poetics or the phantoms haunting dario argento s opera 1987
url http://journals.ed.ac.uk/forum/article/view/609
work_keys_str_mv AT keithhennesseybrown palimpsestpasolinipoeandpoeticsorthephantomshauntingdarioargentosopera1987