« Faire public au théâtre aujourd’hui »
How to perform as a public in a theater ? This article, based on interviews with 80 spectators, analyzes their relationship to actors and other spectators during the shows. There is a consensus on respect for the work of the actor and an overall acceptance of the standards of behavior expected in a...
| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Presses universitaires de Paris Nanterre
2017-12-01
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| Series: | Terrains/Théories |
| Subjects: | |
| Online Access: | http://journals.openedition.org/teth/973 |
| _version_ | 1819327066935394304 |
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| author | Dominique Pasquier |
| author_facet | Dominique Pasquier |
| author_sort | Dominique Pasquier |
| collection | DOAJ |
| description | How to perform as a public in a theater ? This article, based on interviews with 80 spectators, analyzes their relationship to actors and other spectators during the shows. There is a consensus on respect for the work of the actor and an overall acceptance of the standards of behavior expected in a theater. Nevertheless, negative reactions to a show can give some spectators physical manifestations of disengagement from the situation, sometimes uncontrollable, sometimes voluntary. We can distinguish between deviations from the rule that are perceived as a breakdown of the interaction and those that are considered acceptable because they are part of "backstage" practices, in the Goffmanian sense of this term. Making public in a theater is therefore the result of a set of compromises to maintain a fragile interactional situation. |
| first_indexed | 2024-12-24T13:04:56Z |
| format | Article |
| id | doaj.art-f26bd9e05615483fac0808fa3c783e2c |
| institution | Directory Open Access Journal |
| issn | 2427-9188 |
| language | fra |
| last_indexed | 2024-12-24T13:04:56Z |
| publishDate | 2017-12-01 |
| publisher | Presses universitaires de Paris Nanterre |
| record_format | Article |
| series | Terrains/Théories |
| spelling | doaj.art-f26bd9e05615483fac0808fa3c783e2c2022-12-21T16:54:02ZfraPresses universitaires de Paris NanterreTerrains/Théories2427-91882017-12-01710.4000/teth.973« Faire public au théâtre aujourd’hui »Dominique PasquierHow to perform as a public in a theater ? This article, based on interviews with 80 spectators, analyzes their relationship to actors and other spectators during the shows. There is a consensus on respect for the work of the actor and an overall acceptance of the standards of behavior expected in a theater. Nevertheless, negative reactions to a show can give some spectators physical manifestations of disengagement from the situation, sometimes uncontrollable, sometimes voluntary. We can distinguish between deviations from the rule that are perceived as a breakdown of the interaction and those that are considered acceptable because they are part of "backstage" practices, in the Goffmanian sense of this term. Making public in a theater is therefore the result of a set of compromises to maintain a fragile interactional situation.http://journals.openedition.org/teth/973audiencestheatreinteractionshigh culturespectator |
| spellingShingle | Dominique Pasquier « Faire public au théâtre aujourd’hui » Terrains/Théories audiences theatre interactions high culture spectator |
| title | « Faire public au théâtre aujourd’hui » |
| title_full | « Faire public au théâtre aujourd’hui » |
| title_fullStr | « Faire public au théâtre aujourd’hui » |
| title_full_unstemmed | « Faire public au théâtre aujourd’hui » |
| title_short | « Faire public au théâtre aujourd’hui » |
| title_sort | faire public au theatre aujourd hui |
| topic | audiences theatre interactions high culture spectator |
| url | http://journals.openedition.org/teth/973 |
| work_keys_str_mv | AT dominiquepasquier fairepublicautheatreaujourdhui |