Can One Squander Their Purest Affections on Gruesome Foreign Bodies?
The 1950s and 1960s series of black-and-white photographs by the Polish artist Marek Piasecki (1935-2011) entitled The Doll as well as the objects created in the same period in which the artist wove the motif of a doll are analysed in the context of the doll text by Rainer Maria Rilke and the work o...
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| Format: | Article |
| Language: | deu |
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universi - Universitätsverlag Siegen
2022-10-01
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| Series: | Denkste: Puppe |
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| Online Access: | https://dedo.ub.uni-siegen.de/index.php/de_do/article/view/135 |
| Summary: | The 1950s and 1960s series of black-and-white photographs by the Polish artist Marek Piasecki (1935-2011) entitled The Doll as well as the objects created in the same period in which the artist wove the motif of a doll are analysed in the context of the doll text by Rainer Maria Rilke and the work of Hans Bellmer, complemented by reflections by Anna Szyjkowska-Piotrowska, Georges Didi-Huberman and other contemporary authors.. Fragmentation of bodies in these works by Piasecki is not a device of eroticization or fetishization, as in Bellmer, but makes one aware of their defenceless fragility and mortality. As a typical abject Piasecki’s doll attract as much as they put one off; their presence verges on unbearable as it awakens the anxiety of death. |
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| ISSN: | 2625-5871 2568-9363 |