La drammaturgia della partecipazione nel mondo digitale
The essay discusses the new book of Andy Lavender (Performance in the Twenty-first Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and the postdramatic. In particularly it comp...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Accademia University Press
2017-07-01
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| Series: | Mimesis Journal |
| Online Access: | http://journals.openedition.org/mimesis/1200 |
| _version_ | 1818581375816564736 |
|---|---|
| author | Antonio Pizzo |
| author_facet | Antonio Pizzo |
| author_sort | Antonio Pizzo |
| collection | DOAJ |
| description | The essay discusses the new book of Andy Lavender (Performance in the Twenty-first Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and the postdramatic. In particularly it compares the notion of theatre engagement with the contemporary digital culture and entertainment. A brief consideration about methodology of interdisciplinarity concludes the article. |
| first_indexed | 2024-12-16T07:32:30Z |
| format | Article |
| id | doaj.art-f278a6ecf2c6496db93c64d7f72d6358 |
| institution | Directory Open Access Journal |
| issn | 2279-7203 |
| language | English |
| last_indexed | 2024-12-16T07:32:30Z |
| publishDate | 2017-07-01 |
| publisher | Accademia University Press |
| record_format | Article |
| series | Mimesis Journal |
| spelling | doaj.art-f278a6ecf2c6496db93c64d7f72d63582022-12-21T22:39:19ZengAccademia University PressMimesis Journal2279-72032017-07-01618911510.4000/mimesis.1200La drammaturgia della partecipazione nel mondo digitaleAntonio PizzoThe essay discusses the new book of Andy Lavender (Performance in the Twenty-first Century: Theatres of Engagement, Routledge, London & New York 2016) and focuses on the new perspective it opens on the contemporary theatre after the postmodernism and the postdramatic. In particularly it compares the notion of theatre engagement with the contemporary digital culture and entertainment. A brief consideration about methodology of interdisciplinarity concludes the article.http://journals.openedition.org/mimesis/1200 |
| spellingShingle | Antonio Pizzo La drammaturgia della partecipazione nel mondo digitale Mimesis Journal |
| title | La drammaturgia della partecipazione nel mondo digitale |
| title_full | La drammaturgia della partecipazione nel mondo digitale |
| title_fullStr | La drammaturgia della partecipazione nel mondo digitale |
| title_full_unstemmed | La drammaturgia della partecipazione nel mondo digitale |
| title_short | La drammaturgia della partecipazione nel mondo digitale |
| title_sort | la drammaturgia della partecipazione nel mondo digitale |
| url | http://journals.openedition.org/mimesis/1200 |
| work_keys_str_mv | AT antoniopizzo ladrammaturgiadellapartecipazionenelmondodigitale |