REFLECTIONS ON THE MUSICAL AND THEATRICAL APPROACH TO LYUBASHA`S IMAGE IN THE OPERA THE TSAR’S BRIDE BY N. RIMSKY-KORSAKOV
This article aims to render in an analytical manner the personal experience of Tatiana Busuioc, who performed the role of Lyubasha in the opera ‘Th e Tsar’s Bride’ by N. Rimsky-Korsakov, which was premiered on the 22nd of September 2010 at the Maria Biesu National Opera and Ballet Th eatre. ‘Th e Ts...
Main Authors: | BUSUIOC TATIANA, BADRAJAN SVETLANA |
---|---|
Format: | Article |
Language: | deu |
Published: |
Notograf Prim
2016-12-01
|
Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
Online Access: | http://revista.amtap.md/wp-content/files_mf/149848202248_52_ReflectiiasupratratariimuzicalsceniceachipuluiliubaseiinoperaMireasaTaruluideN.RimskiKorsakov.pdf |
Similar Items
-
THE ORIGINALITY OF THE ORCHESTRAL STYLE OF N. RIMSKY-KORSAKOV’S OPERA-BALLET MLADA
by: BORODAVKIN SERGHEI
Published: (2015-03-01) -
Rimsky-Korsakov: Principles of Orchestration and Three Operas on Historical Subjects
by: Maria V. Skuratovskaya
Published: (2022-01-01) -
Lyric and landscape in Rimsky-Korsakov’s songs
by: Bullock, P
Published: (2017) -
Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas
by: Romanou Aikaterini
Published: (2005-01-01) -
Martín Baña, Una Intelligentsia Musical. Modernidad, política e historia de Rusia en las óperas de Musorgsky y Rimsky-Korsakov (1856-1883)
by: Sofia Blanco Ivanoff Ialamoff
Published: (2017-06-01)