The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts
St. Catherine’s Monastery was built by order of the Emperor Justinian in the sixth century AD, in response to the request of the monks of Mount Sinai for the construction of the camp safe for them to worship, and to secure the borders of the great empire. The monastery enjoys the support and attenti...
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Format: | Article |
Language: | Arabic |
Published: |
Arab Association for Islamic Civilization and Art
2016-01-01
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Series: | Journal of Architecture, Art & Humanistic Science |
Online Access: | https://mjaf.journals.ekb.eg/article_20449.html |
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author | Mohamed Helmy |
author_facet | Mohamed Helmy |
author_sort | Mohamed Helmy |
collection | DOAJ |
description | St. Catherine’s Monastery was built by order of the Emperor Justinian in the sixth century AD, in response to the request of the monks of Mount Sinai for the construction of the camp safe for them to worship, and to secure the borders of the great empire. The monastery enjoys the support and attention of all denominations of Christians in the world, despite the fact that the monastery was built in the Byzantine period, but he owes the international fame and importance in the Islamic period. Where it expanded the scope of the monastery during the Islamic era, and spread mentioned in the whole world, taking advantage of the tolerance shown by the Muslim ruler of the monastery and its members in the exercise of their rituals. This led to race between authorities in European Christianity countries and the Arab-Islamic countries to dedicate important Artifacts on many occasions to the monastery. Notes the prevalence of effects and Islamic decorative in many of those pieces even though it made in Europe, as a result of the spread of Islamic art in many parts of Europe through contact with civilization areas between the two civilizations Arab Islamic and Christian Europe, in addition to increasing and extend the Muslim area in Europe during the period of Ottomans and Safavids. This research will focus on a review of some of those artifacts, which saved in the monastery of St. Catherine ,made in different regions of Europe ,was donated to the monastery, and the review of the Islamic motifs and effects appeared to them, which is a sign of a global Islamic art and spread between East and West regions |
first_indexed | 2024-12-23T10:09:50Z |
format | Article |
id | doaj.art-f2f9ba41e50e4b9586fe8064728076b2 |
institution | Directory Open Access Journal |
issn | 2356-9654 2357-0342 |
language | Arabic |
last_indexed | 2024-12-23T10:09:50Z |
publishDate | 2016-01-01 |
publisher | Arab Association for Islamic Civilization and Art |
record_format | Article |
series | Journal of Architecture, Art & Humanistic Science |
spelling | doaj.art-f2f9ba41e50e4b9586fe8064728076b22022-12-21T17:51:00ZaraArab Association for Islamic Civilization and ArtJournal of Architecture, Art & Humanistic Science2356-96542357-03422016-01-011129031010.12816/0036526The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile ArtifactsMohamed Helmy0Lecturer of Archeology and Islamic Civilization, Faculty of Tourism and Hotels Mansoura UniversitySt. Catherine’s Monastery was built by order of the Emperor Justinian in the sixth century AD, in response to the request of the monks of Mount Sinai for the construction of the camp safe for them to worship, and to secure the borders of the great empire. The monastery enjoys the support and attention of all denominations of Christians in the world, despite the fact that the monastery was built in the Byzantine period, but he owes the international fame and importance in the Islamic period. Where it expanded the scope of the monastery during the Islamic era, and spread mentioned in the whole world, taking advantage of the tolerance shown by the Muslim ruler of the monastery and its members in the exercise of their rituals. This led to race between authorities in European Christianity countries and the Arab-Islamic countries to dedicate important Artifacts on many occasions to the monastery. Notes the prevalence of effects and Islamic decorative in many of those pieces even though it made in Europe, as a result of the spread of Islamic art in many parts of Europe through contact with civilization areas between the two civilizations Arab Islamic and Christian Europe, in addition to increasing and extend the Muslim area in Europe during the period of Ottomans and Safavids. This research will focus on a review of some of those artifacts, which saved in the monastery of St. Catherine ,made in different regions of Europe ,was donated to the monastery, and the review of the Islamic motifs and effects appeared to them, which is a sign of a global Islamic art and spread between East and West regionshttps://mjaf.journals.ekb.eg/article_20449.html |
spellingShingle | Mohamed Helmy The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts Journal of Architecture, Art & Humanistic Science |
title | The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts |
title_full | The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts |
title_fullStr | The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts |
title_full_unstemmed | The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts |
title_short | The influence of Islamic Arts on the European arts in the monastery of St. Catherine mobile Artifacts |
title_sort | influence of islamic arts on the european arts in the monastery of st catherine mobile artifacts |
url | https://mjaf.journals.ekb.eg/article_20449.html |
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