Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire

The paper is an attempt at demonstrating how the language used by fictional dramatic characters contributes to their characterization, that is, how the readers (audiences) perceive them based on inferences drawn from a variety of textual cues. These cues include explicit selfand other-presentation a...

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Main Author: Joanna Bobin
Format: Article
Language:deu
Published: Akademia im. Jakuba z Paradyża 2021-12-01
Series:Język. Religia. Tożsamość
Subjects:
Online Access:http://jezyk.religia.tozsamosc.ajp.edu.pl/gicid/01.3001.0015.6123
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author Joanna Bobin
author_facet Joanna Bobin
author_sort Joanna Bobin
collection DOAJ
description The paper is an attempt at demonstrating how the language used by fictional dramatic characters contributes to their characterization, that is, how the readers (audiences) perceive them based on inferences drawn from a variety of textual cues. These cues include explicit selfand other-presentation as well as implicit hints retrieved from conversation structure, aspects of turn-taking or features of the language used by the character. In this paper, Blanche DuBois and Stanley Kowalski from Tennessee Williams’ play The Streetcar Named Desire are analyzed and characterized as being polar opposites.
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spelling doaj.art-f32191dc65d342938b23751211199f4e2024-04-03T11:16:11ZdeuAkademia im. Jakuba z ParadyżaJęzyk. Religia. Tożsamość2083-89642544-17012021-12-01224 B72010.5604/01.3001.0015.612301.3001.0015.6123Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named DesireJoanna Bobin0Akademia im. Jakuba z Paradyża w Gorzowie WielkopolskimThe paper is an attempt at demonstrating how the language used by fictional dramatic characters contributes to their characterization, that is, how the readers (audiences) perceive them based on inferences drawn from a variety of textual cues. These cues include explicit selfand other-presentation as well as implicit hints retrieved from conversation structure, aspects of turn-taking or features of the language used by the character. In this paper, Blanche DuBois and Stanley Kowalski from Tennessee Williams’ play The Streetcar Named Desire are analyzed and characterized as being polar opposites.http://jezyk.religia.tozsamosc.ajp.edu.pl/gicid/01.3001.0015.6123American dramapragmaticspragmastylisticscharacterization
spellingShingle Joanna Bobin
Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire
Język. Religia. Tożsamość
American drama
pragmatics
pragmastylistics
characterization
title Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire
title_full Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire
title_fullStr Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire
title_full_unstemmed Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire
title_short Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire
title_sort blanche and stanley polar opposites a pragmastylistic analysis of interactions from tennessee williams a streetcar named desire
topic American drama
pragmatics
pragmastylistics
characterization
url http://jezyk.religia.tozsamosc.ajp.edu.pl/gicid/01.3001.0015.6123
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