Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959

Film was not only one of the most popular forms of entertainment under Francoism. It was also one of the regime’s most important means of indoctrination, mainly thanks to the censorship that defined what Spaniards could and could not view. This article aims to analyze, through this censorship, the l...

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Main Author: Fátima Gil Gascón
Format: Article
Language:English
Published: Associação de Actividades Científicas 2021-12-01
Series:Ler História
Subjects:
Online Access:https://journals.openedition.org/lerhistoria/8880
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author Fátima Gil Gascón
author_facet Fátima Gil Gascón
author_sort Fátima Gil Gascón
collection DOAJ
description Film was not only one of the most popular forms of entertainment under Francoism. It was also one of the regime’s most important means of indoctrination, mainly thanks to the censorship that defined what Spaniards could and could not view. This article aims to analyze, through this censorship, the limits of what was accepted and acceptable to the Francoist society and observe the possible evolution of these limits and their relationship with social changes that occurred during the dictatorship. To this end, we will examine the role of the different methods of coercion that existed: Those exercised by official bodies and those created by the most reactionary clerical sector. Addressing what was forbidden, what was allowed and encouraged will allow us to define the limits of what was permissible and delve into Spanish society’s stance on issues such as morality and freedom. This article is part of the special theme section Film Censorship in the Iberian Dictatorships, guest-edited by Ana Bela Morais.
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spelling doaj.art-f35ad972ba6c492483ca8f200b51c03a2024-02-14T14:01:04ZengAssociação de Actividades CientíficasLer História0870-61822021-12-0179173810.4000/lerhistoria.8880Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959Fátima Gil GascónFilm was not only one of the most popular forms of entertainment under Francoism. It was also one of the regime’s most important means of indoctrination, mainly thanks to the censorship that defined what Spaniards could and could not view. This article aims to analyze, through this censorship, the limits of what was accepted and acceptable to the Francoist society and observe the possible evolution of these limits and their relationship with social changes that occurred during the dictatorship. To this end, we will examine the role of the different methods of coercion that existed: Those exercised by official bodies and those created by the most reactionary clerical sector. Addressing what was forbidden, what was allowed and encouraged will allow us to define the limits of what was permissible and delve into Spanish society’s stance on issues such as morality and freedom. This article is part of the special theme section Film Censorship in the Iberian Dictatorships, guest-edited by Ana Bela Morais.https://journals.openedition.org/lerhistoria/8880cinemaprohibitionqualificationofficial censorshipprivate censorship.
spellingShingle Fátima Gil Gascón
Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959
Ler História
cinema
prohibition
qualification
official censorship
private censorship.
title Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959
title_full Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959
title_fullStr Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959
title_full_unstemmed Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959
title_short Censurar para evitar el peligro: las censuras cinematográficas durante el franquismo, 1939-1959
title_sort censurar para evitar el peligro las censuras cinematograficas durante el franquismo 1939 1959
topic cinema
prohibition
qualification
official censorship
private censorship.
url https://journals.openedition.org/lerhistoria/8880
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