Dance in the Early Church: sources and restrictions

Understanding the role of dance in the Western Christian tradition is an underexplored territory. Sources of historical investigations are few and many of them are problematic. In this article commonly used sources are questioned and a re-examination of earlier research is begun. Focusing on the Ear...

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Main Author: Laura Hellsten
Format: Article
Language:English
Published: Donner Institute 2016-12-01
Series:Approaching Religion
Subjects:
Online Access:https://journal.fi/ar/article/view/67592
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author Laura Hellsten
author_facet Laura Hellsten
author_sort Laura Hellsten
collection DOAJ
description Understanding the role of dance in the Western Christian tradition is an underexplored territory. Sources of historical investigations are few and many of them are problematic. In this article commonly used sources are questioned and a re-examination of earlier research is begun. Focusing on the Early Church in dialogue with writing from the patristic period, a new interpretation is done around the theme of dance prohib-ition. The important contributions of Donatella Tronca as well as Graham Pont and Alessandro Alcangeli to the understanding of dance in the Early Church period are expanded by means of a more extensive theological framework. This article also aims at bringing a broader philosophical and societal understanding of the worldview and social imaginary of the Early Church period to bear on earlier research studies.
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spelling doaj.art-f38dbcafa6804f4399880a3f1590a4d82022-12-22T00:03:35ZengDonner InstituteApproaching Religion1799-31212016-12-016210.30664/ar.67592Dance in the Early Church: sources and restrictionsLaura Hellsten0Åbo Akademi, Systematic TheologyUnderstanding the role of dance in the Western Christian tradition is an underexplored territory. Sources of historical investigations are few and many of them are problematic. In this article commonly used sources are questioned and a re-examination of earlier research is begun. Focusing on the Early Church in dialogue with writing from the patristic period, a new interpretation is done around the theme of dance prohib-ition. The important contributions of Donatella Tronca as well as Graham Pont and Alessandro Alcangeli to the understanding of dance in the Early Church period are expanded by means of a more extensive theological framework. This article also aims at bringing a broader philosophical and societal understanding of the worldview and social imaginary of the Early Church period to bear on earlier research studies.https://journal.fi/ar/article/view/67592DanceTheologyChurch HistoryEarly ChurchPatristicsChristianity
spellingShingle Laura Hellsten
Dance in the Early Church: sources and restrictions
Approaching Religion
Dance
Theology
Church History
Early Church
Patristics
Christianity
title Dance in the Early Church: sources and restrictions
title_full Dance in the Early Church: sources and restrictions
title_fullStr Dance in the Early Church: sources and restrictions
title_full_unstemmed Dance in the Early Church: sources and restrictions
title_short Dance in the Early Church: sources and restrictions
title_sort dance in the early church sources and restrictions
topic Dance
Theology
Church History
Early Church
Patristics
Christianity
url https://journal.fi/ar/article/view/67592
work_keys_str_mv AT laurahellsten danceintheearlychurchsourcesandrestrictions