Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee

Gabriel Gee’s conversation with the Northern Irish artist Conor McFeely curls around the notion of overt and cover meaning, especially in five objects that form part of discreet pieces of art. It becomes clear that each piece offers a range of interpretive possibilities, often containing hidden elem...

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Bibliographic Details
Main Author: Gabriel Gee
Format: Article
Language:English
Published: Franklin University Switzerland 2014-01-01
Series:Intervalla : Platform for Intellectual Exchange
Subjects:
Online Access:https://www.fus.edu/intervalla-files/vol2/7-GG.pdf
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author Gabriel Gee
author_facet Gabriel Gee
author_sort Gabriel Gee
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description Gabriel Gee’s conversation with the Northern Irish artist Conor McFeely curls around the notion of overt and cover meaning, especially in five objects that form part of discreet pieces of art. It becomes clear that each piece offers a range of interpretive possibilities, often containing hidden elements that function as the existential roots of each piece. These roots, in the form of aesthetic elements, in turn might be understood as symptoms of submerged pasts and places, and traces of experiences too traumatic to remember. The notion of partiality – of incompleteness – is central to McFeely’s art: it implies at once a search for the lost or hidden or veiled part, and a vexed relationship to parts that can take the form of desire, for instance, or of fixation.
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spelling doaj.art-f3e9d16edc494064a4948809d360aa062022-12-21T19:10:37ZengFranklin University SwitzerlandIntervalla : Platform for Intellectual Exchange2296-34132296-34132014-01-01297107Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel GeeGabriel Gee0Franklin University SwitzerlandGabriel Gee’s conversation with the Northern Irish artist Conor McFeely curls around the notion of overt and cover meaning, especially in five objects that form part of discreet pieces of art. It becomes clear that each piece offers a range of interpretive possibilities, often containing hidden elements that function as the existential roots of each piece. These roots, in the form of aesthetic elements, in turn might be understood as symptoms of submerged pasts and places, and traces of experiences too traumatic to remember. The notion of partiality – of incompleteness – is central to McFeely’s art: it implies at once a search for the lost or hidden or veiled part, and a vexed relationship to parts that can take the form of desire, for instance, or of fixation.https://www.fus.edu/intervalla-files/vol2/7-GG.pdfconor mcfeelynorthern irelandcontemporary arttraumaincompleteness
spellingShingle Gabriel Gee
Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee
Intervalla : Platform for Intellectual Exchange
conor mcfeely
northern ireland
contemporary art
trauma
incompleteness
title Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee
title_full Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee
title_fullStr Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee
title_full_unstemmed Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee
title_short Conor McFeely: Partial Objects. A Conversation Between Artist Conor McFeely and Art Historian Gabriel Gee
title_sort conor mcfeely partial objects a conversation between artist conor mcfeely and art historian gabriel gee
topic conor mcfeely
northern ireland
contemporary art
trauma
incompleteness
url https://www.fus.edu/intervalla-files/vol2/7-GG.pdf
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