Dekadentní esejista Arthur Breisky v recepci některých současníků

The paper is devoted to Arthur Breisky (1885–1910), the prematurely departed Czech Decadent writer. His collection of essays The Triumph of Evil (1910) belongs to remarkable books of Czech fin-de-siècle literature. The author of the paper traces the reception of the book by some of Breisky's co...

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Main Author: Jiří Kudrnáč
Format: Article
Language:ces
Published: Masaryk University, Faculty of Arts 2011-10-01
Series:Musicologica Brunensia
Online Access:https://journals.phil.muni.cz/musicologica-brunensia/article/view/23708
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author Jiří Kudrnáč
author_facet Jiří Kudrnáč
author_sort Jiří Kudrnáč
collection DOAJ
description The paper is devoted to Arthur Breisky (1885–1910), the prematurely departed Czech Decadent writer. His collection of essays The Triumph of Evil (1910) belongs to remarkable books of Czech fin-de-siècle literature. The author of the paper traces the reception of the book by some of Breisky's contemporaries, namely, by Arne Novák, Miloš Marten and Karel Hugo Hilar. In their favourable reviews the latter two critics take Breisky as a typical Decadent writer who expresses the idea of transition. Arne Novák regarded Breisky as an epigon. K. H. Hilar, in the later version of his essay about Breisky, emphasized the connection between Breisky and new trends in art of the 20th century which came after Symbolism and Decadence.
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spelling doaj.art-f40eda93254d4a8490945ea5aa276e032023-09-06T09:11:17ZcesMasaryk University, Faculty of ArtsMusicologica Brunensia1212-03912336-436X2011-10-01461Dekadentní esejista Arthur Breisky v recepci některých současníkůJiří KudrnáčThe paper is devoted to Arthur Breisky (1885–1910), the prematurely departed Czech Decadent writer. His collection of essays The Triumph of Evil (1910) belongs to remarkable books of Czech fin-de-siècle literature. The author of the paper traces the reception of the book by some of Breisky's contemporaries, namely, by Arne Novák, Miloš Marten and Karel Hugo Hilar. In their favourable reviews the latter two critics take Breisky as a typical Decadent writer who expresses the idea of transition. Arne Novák regarded Breisky as an epigon. K. H. Hilar, in the later version of his essay about Breisky, emphasized the connection between Breisky and new trends in art of the 20th century which came after Symbolism and Decadence.https://journals.phil.muni.cz/musicologica-brunensia/article/view/23708
spellingShingle Jiří Kudrnáč
Dekadentní esejista Arthur Breisky v recepci některých současníků
Musicologica Brunensia
title Dekadentní esejista Arthur Breisky v recepci některých současníků
title_full Dekadentní esejista Arthur Breisky v recepci některých současníků
title_fullStr Dekadentní esejista Arthur Breisky v recepci některých současníků
title_full_unstemmed Dekadentní esejista Arthur Breisky v recepci některých současníků
title_short Dekadentní esejista Arthur Breisky v recepci některých současníků
title_sort dekadentni esejista arthur breisky v recepci nekterych soucasniku
url https://journals.phil.muni.cz/musicologica-brunensia/article/view/23708
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