The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem
Some would argue that the idea we get of a composer by listening to his incomplete music in which a voice has been reconstructed is not “authentic”. But the idea we can get of him by ignoring his incomplete compositions altogether, as if they never existed, is much less “authentic”. The article exam...
| Main Author: | |
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| Format: | Article |
| Language: | deu |
| Published: |
ZRC SAZU, Založba ZRC
2024-01-01
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| Series: | De Musica Disserenda |
| Subjects: | |
| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/13641 |
| _version_ | 1797346601191079936 |
|---|---|
| author | Marina Toffetti |
| author_facet | Marina Toffetti |
| author_sort | Marina Toffetti |
| collection | DOAJ |
| description | Some would argue that the idea we get of a composer by listening to his incomplete music in which a voice has been reconstructed is not “authentic”. But the idea we can get of him by ignoring his incomplete compositions altogether, as if they never existed, is much less “authentic”. The article examines the issue and validity of the reconstruction of polyphonic music with one or more missing parts in critical editions from a philosophical, philological and practical point of view and establishes some criteria for the acceptability of the results. |
| first_indexed | 2024-03-08T11:34:51Z |
| format | Article |
| id | doaj.art-f45fb4b2a33b4944805bc01be2f88a26 |
| institution | Directory Open Access Journal |
| issn | 1854-3405 2536-2615 |
| language | deu |
| last_indexed | 2024-03-08T11:34:51Z |
| publishDate | 2024-01-01 |
| publisher | ZRC SAZU, Založba ZRC |
| record_format | Article |
| series | De Musica Disserenda |
| spelling | doaj.art-f45fb4b2a33b4944805bc01be2f88a262024-01-25T13:48:00ZdeuZRC SAZU, Založba ZRCDe Musica Disserenda1854-34052536-26152024-01-0119210.3986/dmd19.2.0719644The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced ProblemMarina ToffettiSome would argue that the idea we get of a composer by listening to his incomplete music in which a voice has been reconstructed is not “authentic”. But the idea we can get of him by ignoring his incomplete compositions altogether, as if they never existed, is much less “authentic”. The article examines the issue and validity of the reconstruction of polyphonic music with one or more missing parts in critical editions from a philosophical, philological and practical point of view and establishes some criteria for the acceptability of the results.https://ojs.zrc-sazu.si/dmd/article/view/13641authenticityreconstruction of missing partscritical editionmusic analysisemendatio |
| spellingShingle | Marina Toffetti The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem De Musica Disserenda authenticity reconstruction of missing parts critical edition music analysis emendatio |
| title | The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem |
| title_full | The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem |
| title_fullStr | The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem |
| title_full_unstemmed | The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem |
| title_short | The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem |
| title_sort | authenticity of the reconstruction of missing parts some reflections on a misplaced problem |
| topic | authenticity reconstruction of missing parts critical edition music analysis emendatio |
| url | https://ojs.zrc-sazu.si/dmd/article/view/13641 |
| work_keys_str_mv | AT marinatoffetti theauthenticityofthereconstructionofmissingpartssomereflectionsonamisplacedproblem AT marinatoffetti authenticityofthereconstructionofmissingpartssomereflectionsonamisplacedproblem |