The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem

Some would argue that the idea we get of a composer by listening to his incomplete music in which a voice has been reconstructed is not “authentic”. But the idea we can get of him by ignoring his incomplete compositions altogether, as if they never existed, is much less “authentic”. The article exam...

詳細記述

書誌詳細
第一著者: Marina Toffetti
フォーマット: 論文
言語:deu
出版事項: ZRC SAZU, Založba ZRC 2024-01-01
シリーズ:De Musica Disserenda
主題:
オンライン・アクセス:https://ojs.zrc-sazu.si/dmd/article/view/13641