The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem

Some would argue that the idea we get of a composer by listening to his incomplete music in which a voice has been reconstructed is not “authentic”. But the idea we can get of him by ignoring his incomplete compositions altogether, as if they never existed, is much less “authentic”. The article exam...

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Bibliographic Details
Main Author: Marina Toffetti
Format: Article
Language:deu
Published: ZRC SAZU, Založba ZRC 2024-01-01
Series:De Musica Disserenda
Subjects:
Online Access:https://ojs.zrc-sazu.si/dmd/article/view/13641