Le tambour rythmique : pour un cinéma de la régression improductive
Drawing upon Eisenstein’s theory of cinematographic movement this article relates the aesthetic principle of "rhythmic drum" that was initially devised to analyse the editing techniques of his own avant-garde productions, to three North American underground films from the 1970s, Back and F...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2015-02-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| Subjects: | |
| Online Access: | http://journals.openedition.org/miranda/6217 |
| _version_ | 1818237736833777664 |
|---|---|
| author | Massimo Olivero |
| author_facet | Massimo Olivero |
| author_sort | Massimo Olivero |
| collection | DOAJ |
| description | Drawing upon Eisenstein’s theory of cinematographic movement this article relates the aesthetic principle of "rhythmic drum" that was initially devised to analyse the editing techniques of his own avant-garde productions, to three North American underground films from the 1970s, Back and Forth by Michael Snow, Serene Velocity by Ernie Gehr and Epileptic Seizure Comparison by Paul Sharits. |
| first_indexed | 2024-12-12T12:30:30Z |
| format | Article |
| id | doaj.art-f46d4cd84647443f93f9bdfdab2f86d3 |
| institution | Directory Open Access Journal |
| issn | 2108-6559 |
| language | English |
| last_indexed | 2024-12-12T12:30:30Z |
| publishDate | 2015-02-01 |
| publisher | Université Toulouse - Jean Jaurès |
| record_format | Article |
| series | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| spelling | doaj.art-f46d4cd84647443f93f9bdfdab2f86d32022-12-22T00:24:27ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592015-02-011010.4000/miranda.6217Le tambour rythmique : pour un cinéma de la régression improductiveMassimo OliveroDrawing upon Eisenstein’s theory of cinematographic movement this article relates the aesthetic principle of "rhythmic drum" that was initially devised to analyse the editing techniques of his own avant-garde productions, to three North American underground films from the 1970s, Back and Forth by Michael Snow, Serene Velocity by Ernie Gehr and Epileptic Seizure Comparison by Paul Sharits.http://journals.openedition.org/miranda/6217undergroundrythmerégressionmouvement |
| spellingShingle | Massimo Olivero Le tambour rythmique : pour un cinéma de la régression improductive Miranda: Revue Pluridisciplinaire du Monde Anglophone underground rythme régression mouvement |
| title | Le tambour rythmique : pour un cinéma de la régression improductive |
| title_full | Le tambour rythmique : pour un cinéma de la régression improductive |
| title_fullStr | Le tambour rythmique : pour un cinéma de la régression improductive |
| title_full_unstemmed | Le tambour rythmique : pour un cinéma de la régression improductive |
| title_short | Le tambour rythmique : pour un cinéma de la régression improductive |
| title_sort | le tambour rythmique pour un cinema de la regression improductive |
| topic | underground rythme régression mouvement |
| url | http://journals.openedition.org/miranda/6217 |
| work_keys_str_mv | AT massimoolivero letambourrythmiquepouruncinemadelaregressionimproductive |