Faulkner’s Coffin

This article examines William Faulkner’s use of the coffin form in his depression-era family epic, As I Lay Dying. I ask whether we can envision what Faulkner is doing with the aesthetic shape of the coffin—a form which he even typographically reproduces within the text itself—as a kind of strange r...

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Main Author: Alyson Brickey
Format: Article
Language:English
Published: Franklin University Switzerland 2016-12-01
Series:Intervalla : Platform for Intellectual Exchange
Subjects:
Online Access:https://www.fus.edu/intervalla-files/vol4/6-AB.pdf
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author Alyson Brickey
author_facet Alyson Brickey
author_sort Alyson Brickey
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description This article examines William Faulkner’s use of the coffin form in his depression-era family epic, As I Lay Dying. I ask whether we can envision what Faulkner is doing with the aesthetic shape of the coffin—a form which he even typographically reproduces within the text itself—as a kind of strange realism. In order to make this argument, I recruit Frederic Jameson’s recent discussion in The Antinomies of Realism, where he argues that the realist text is not a straightforward mimetic project, but rather involves a dialectical push-and-pull between a specific force and its exact opposite. Faulkner’s lists perform a kind of metaphysical carpentry that asks us to consider the coffin not just as a textual trope or a symbol, but as a form that is itself constitutive of the way this story makes meaning.
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spelling doaj.art-f48a082eb9954d65a68d7b29d250acfc2022-12-22T02:47:43ZengFranklin University SwitzerlandIntervalla : Platform for Intellectual Exchange2296-34132296-34132016-12-014143165Faulkner’s CoffinAlyson Brickey0University of TorontoThis article examines William Faulkner’s use of the coffin form in his depression-era family epic, As I Lay Dying. I ask whether we can envision what Faulkner is doing with the aesthetic shape of the coffin—a form which he even typographically reproduces within the text itself—as a kind of strange realism. In order to make this argument, I recruit Frederic Jameson’s recent discussion in The Antinomies of Realism, where he argues that the realist text is not a straightforward mimetic project, but rather involves a dialectical push-and-pull between a specific force and its exact opposite. Faulkner’s lists perform a kind of metaphysical carpentry that asks us to consider the coffin not just as a textual trope or a symbol, but as a form that is itself constitutive of the way this story makes meaning.https://www.fus.edu/intervalla-files/vol4/6-AB.pdfrealismfaulknerjamesonmodernismthe great depressionnarrativeliterary objects
spellingShingle Alyson Brickey
Faulkner’s Coffin
Intervalla : Platform for Intellectual Exchange
realism
faulkner
jameson
modernism
the great depression
narrative
literary objects
title Faulkner’s Coffin
title_full Faulkner’s Coffin
title_fullStr Faulkner’s Coffin
title_full_unstemmed Faulkner’s Coffin
title_short Faulkner’s Coffin
title_sort faulkner s coffin
topic realism
faulkner
jameson
modernism
the great depression
narrative
literary objects
url https://www.fus.edu/intervalla-files/vol4/6-AB.pdf
work_keys_str_mv AT alysonbrickey faulknerscoffin