Sobre la «composición» de La Celestina y su anónimo «auctor»

On the first part we analyze some dialogues that are contradictory to the general thread of the Celestina and seem to be a reflection of a previous humanistic comedy. The second part is dedicated to the study of two different terms used in the 1514 edition of Valencia: «Auctor» referred to the perso...

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Main Authors: Antonio Sánchez, Remedios Prieto
Format: Article
Language:English
Published: Universidad de Valencia, Departamento de Filología Española 2021-01-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/20093
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author Antonio Sánchez
Remedios Prieto
author_facet Antonio Sánchez
Remedios Prieto
author_sort Antonio Sánchez
collection DOAJ
description On the first part we analyze some dialogues that are contradictory to the general thread of the Celestina and seem to be a reflection of a previous humanistic comedy. The second part is dedicated to the study of two different terms used in the 1514 edition of Valencia: «Auctor» referred to the person who wrote the letter «to a certain friend», and «Autor» referred to the person who composed the acrostic verses with his names («El Bachiller Fernando de Rojas...») and the three new closing stances that appear for the first time in the editions of the Tragicomedia, and that constitute a written and published testimony of the fact that Rojas was not the «auctor» of the Comedia de Calisto y Melibea, since after the Dictionary of Autoridades, the voices «auctor» and «autor» were not synonyms, but to a certain extent even opposed extremes in an editorial relation: he who ceded his texts and he who published them.
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spelling doaj.art-f524eb88d1d149749228280d9befa4392024-02-02T06:56:10ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832021-01-0133014317110.7203/Celestinesca.33.2009314691Sobre la «composición» de La Celestina y su anónimo «auctor»Antonio SánchezRemedios PrietoOn the first part we analyze some dialogues that are contradictory to the general thread of the Celestina and seem to be a reflection of a previous humanistic comedy. The second part is dedicated to the study of two different terms used in the 1514 edition of Valencia: «Auctor» referred to the person who wrote the letter «to a certain friend», and «Autor» referred to the person who composed the acrostic verses with his names («El Bachiller Fernando de Rojas...») and the three new closing stances that appear for the first time in the editions of the Tragicomedia, and that constitute a written and published testimony of the fact that Rojas was not the «auctor» of the Comedia de Calisto y Melibea, since after the Dictionary of Autoridades, the voices «auctor» and «autor» were not synonyms, but to a certain extent even opposed extremes in an editorial relation: he who ceded his texts and he who published them.https://ojs.uv.es/index.php/celestinesca/article/view/20093celestinaauctoramigoacabócompuestacomedia humanísticarefundición
spellingShingle Antonio Sánchez
Remedios Prieto
Sobre la «composición» de La Celestina y su anónimo «auctor»
Celestinesca
celestina
auctor
amigo
acabó
compuesta
comedia humanística
refundición
title Sobre la «composición» de La Celestina y su anónimo «auctor»
title_full Sobre la «composición» de La Celestina y su anónimo «auctor»
title_fullStr Sobre la «composición» de La Celestina y su anónimo «auctor»
title_full_unstemmed Sobre la «composición» de La Celestina y su anónimo «auctor»
title_short Sobre la «composición» de La Celestina y su anónimo «auctor»
title_sort sobre la composicion de la celestina y su anonimo auctor
topic celestina
auctor
amigo
acabó
compuesta
comedia humanística
refundición
url https://ojs.uv.es/index.php/celestinesca/article/view/20093
work_keys_str_mv AT antoniosanchez sobrelacomposiciondelacelestinaysuanonimoauctor
AT remediosprieto sobrelacomposiciondelacelestinaysuanonimoauctor