Etnodizajn a ludowość w polskim wzornictwie

In the first decade of the 2000s, a new wave of “folk inspirations” became visible in the work of Polish designers, which was celebrated by exhibitions, publications, conferences and a special festival. Interestingly, all the Polish-language coverage of these events almost unanimously avoided Polis...

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Main Author: Ewa Klekot
Format: Article
Language:deu
Published: Adam Mickiewicz University Press 2021-12-01
Series:Artium Quaestiones
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/aq/article/view/32572
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author Ewa Klekot
author_facet Ewa Klekot
author_sort Ewa Klekot
collection DOAJ
description In the first decade of the 2000s, a new wave of “folk inspirations” became visible in the work of Polish designers, which was celebrated by exhibitions, publications, conferences and a special festival. Interestingly, all the Polish-language coverage of these events almost unanimously avoided Polish vocabulary suggesting any connection with “folk” (n.: lud, adj.: ludowy) and used the English-sounding term “etnodizajn” (or “ethnodesign”), which actually did not exist in any official Polish or English dictionary. “Etnodizajn” is definitely not the first case when Polish designers have used the “natural resources” of the “folk art tradition”. This article discusses the early 21st century etnodizajn as embedded in the Romantic tradition of understanding the meaning of the folk, pointing at its endurance both in design practices and cultural politics. Following the design strategies of companies and studios linked to etnodizajn, the author presents, on one hand, projects that neatly fit into a century-old strategies of purely formal inspirations, and on the other, those projects that search beyond the beaten track of folk art.
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spelling doaj.art-f53cb69eb789417999a642770234324c2024-01-23T08:00:14ZdeuAdam Mickiewicz University PressArtium Quaestiones0239-202X2719-45582021-12-013210.14746/aq.2021.32.9Etnodizajn a ludowość w polskim wzornictwieEwa Klekot0https://orcid.org/0000-0003-3472-5168SWPS / Uniwersytet Warszawski In the first decade of the 2000s, a new wave of “folk inspirations” became visible in the work of Polish designers, which was celebrated by exhibitions, publications, conferences and a special festival. Interestingly, all the Polish-language coverage of these events almost unanimously avoided Polish vocabulary suggesting any connection with “folk” (n.: lud, adj.: ludowy) and used the English-sounding term “etnodizajn” (or “ethnodesign”), which actually did not exist in any official Polish or English dictionary. “Etnodizajn” is definitely not the first case when Polish designers have used the “natural resources” of the “folk art tradition”. This article discusses the early 21st century etnodizajn as embedded in the Romantic tradition of understanding the meaning of the folk, pointing at its endurance both in design practices and cultural politics. Following the design strategies of companies and studios linked to etnodizajn, the author presents, on one hand, projects that neatly fit into a century-old strategies of purely formal inspirations, and on the other, those projects that search beyond the beaten track of folk art. https://pressto.amu.edu.pl/index.php/aq/article/view/32572Polish designetodizajn/ethnodesignfolkcultural politics
spellingShingle Ewa Klekot
Etnodizajn a ludowość w polskim wzornictwie
Artium Quaestiones
Polish design
etodizajn/ethnodesign
folk
cultural politics
title Etnodizajn a ludowość w polskim wzornictwie
title_full Etnodizajn a ludowość w polskim wzornictwie
title_fullStr Etnodizajn a ludowość w polskim wzornictwie
title_full_unstemmed Etnodizajn a ludowość w polskim wzornictwie
title_short Etnodizajn a ludowość w polskim wzornictwie
title_sort etnodizajn a ludowosc w polskim wzornictwie
topic Polish design
etodizajn/ethnodesign
folk
cultural politics
url https://pressto.amu.edu.pl/index.php/aq/article/view/32572
work_keys_str_mv AT ewaklekot etnodizajnaludowoscwpolskimwzornictwie