The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South

Mid-sixties British rock musicians have rationalized their firsthand experience and profitable interactions with American racial segregation by adopting a stance of racial innocence, or a belief that youth and virtue make one immune to charges of complicity with organized structures of racism. This...

Full description

Bibliographic Details
Main Author: Matthew Sutton
Format: Article
Language:English
Published: University of Groningen Press 2022-04-01
Series:European Journal of Life Writing
Subjects:
Online Access:https://ejlw.eu/article/view/38627
_version_ 1811303652183244800
author Matthew Sutton
author_facet Matthew Sutton
author_sort Matthew Sutton
collection DOAJ
description Mid-sixties British rock musicians have rationalized their firsthand experience and profitable interactions with American racial segregation by adopting a stance of racial innocence, or a belief that youth and virtue make one immune to charges of complicity with organized structures of racism. This almost childlike subject-positioning disingenuously separates musicians’ expertise on African American blues from a more mature acknowledgement of the oppressive racial conditions that shaped the music, implicitly excluding them from culpability in the continued imbalance of power between black and white musicians.
first_indexed 2024-04-13T07:51:28Z
format Article
id doaj.art-f545788b178148ae89a0b63a198bb115
institution Directory Open Access Journal
issn 2211-243X
language English
last_indexed 2024-04-13T07:51:28Z
publishDate 2022-04-01
publisher University of Groningen Press
record_format Article
series European Journal of Life Writing
spelling doaj.art-f545788b178148ae89a0b63a198bb1152022-12-22T02:55:31ZengUniversity of Groningen PressEuropean Journal of Life Writing2211-243X2022-04-0111214010.21827/ejlw.11.3862728277The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. SouthMatthew Sutton0https://orcid.org/0000-0001-5770-2669Morehead State UniversityMid-sixties British rock musicians have rationalized their firsthand experience and profitable interactions with American racial segregation by adopting a stance of racial innocence, or a belief that youth and virtue make one immune to charges of complicity with organized structures of racism. This almost childlike subject-positioning disingenuously separates musicians’ expertise on African American blues from a more mature acknowledgement of the oppressive racial conditions that shaped the music, implicitly excluding them from culpability in the continued imbalance of power between black and white musicians.https://ejlw.eu/article/view/38627rock musicautobiography/memoirrace relationsu.s. south
spellingShingle Matthew Sutton
The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
European Journal of Life Writing
rock music
autobiography/memoir
race relations
u.s. south
title The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
title_full The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
title_fullStr The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
title_full_unstemmed The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
title_short The Burden of Racial Innocence: British-Invasion Rock Memoirs and the U.S. South
title_sort burden of racial innocence british invasion rock memoirs and the u s south
topic rock music
autobiography/memoir
race relations
u.s. south
url https://ejlw.eu/article/view/38627
work_keys_str_mv AT matthewsutton theburdenofracialinnocencebritishinvasionrockmemoirsandtheussouth
AT matthewsutton burdenofracialinnocencebritishinvasionrockmemoirsandtheussouth