What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
University of Huddersfield, Department of Music
2012-11-01
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| Series: | Dancecult: Journal of Electronic Dance Music Culture |
| Subjects: | |
| Online Access: | https://dj.dancecult.net/index.php/dancecult/article/view/341 |
| _version_ | 1797968316650749952 |
|---|---|
| author | Magdalena Olszanowski |
| author_facet | Magdalena Olszanowski |
| author_sort | Magdalena Olszanowski |
| collection | DOAJ |
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Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:Times; mso-fareast-font-family:"MS ??"; mso-bidi-font-family:"Times New Roman"; mso-ansi-language:EN-US;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; font-family:Times; mso-ascii-font-family:Times; mso-fareast-font-family:"MS ??"; mso-hansi-font-family:Times;} @page WordSection1 {size:612.0pt 792.0pt; margin:72.0pt 90.0pt 72.0pt 90.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --></p><p class="MsoNormal"><span style="font-size: 12.0pt; font-family: Cambria; color: black;" lang="EN-US">This article reflects upon the research methods employed for <em style="mso-bidi-font-style: normal;">microfemininewarfare </em>(2012)<em style="mso-bidi-font-style: normal;">,</em></span><span style="font-size: 12.0pt; font-family: Cambria;" lang="EN-US"> an interactive database documentary that investigates female electronic dance music (EDM) artists. The purpose of the documentary is to feature the contributions of women as composers, to show how they came to be composers and to reveal the tactics used to approach significant issues of gender in the male-dominated world of EDM. I highlight the theoretical and methodological processes that went into the making of this documentary, subtitled “exploring women’s space in electronic music”. By constructing “electronic music by women” as a category, two objectives are addressed: first, the visibility of women’s contribution to the musical tradition is heightened; and, second, it allows an exploration of the broadening of discourses about female subjectivity. </span><span style="font-size: 12.0pt; font-family: Cambria; mso-fareast-font-family: ";Times New Roman";; color: #222222; background: white;" lang="EN-US">This article</span><span style="font-size: 12.0pt; font-family: Cambria; mso-fareast-font-family: ";Times New Roman";; color: #222222;" lang="EN-US"> <span style="background: white;">showcases feminist <em style="mso-bidi-font-style: normal;">research-creation</em> and friendship-as-method as effective research methods to glean</span> <span style="background: white;">meaningful content when applied to EDM fieldwork.</span></span></p> <!--EndFragment--><!--EndFragment--><!--EndFragment--> |
| first_indexed | 2024-04-11T02:44:58Z |
| format | Article |
| id | doaj.art-f5618c2a4ad34d0cb77133fdd949af0a |
| institution | Directory Open Access Journal |
| issn | 1947-5403 |
| language | English |
| last_indexed | 2024-04-11T02:44:58Z |
| publishDate | 2012-11-01 |
| publisher | University of Huddersfield, Department of Music |
| record_format | Article |
| series | Dancecult: Journal of Electronic Dance Music Culture |
| spelling | doaj.art-f5618c2a4ad34d0cb77133fdd949af0a2023-01-02T18:20:53ZengUniversity of Huddersfield, Department of MusicDancecult: Journal of Electronic Dance Music Culture1947-54032012-11-0142277What to Ask Women Composers: Feminist Fieldwork in Electronic Dance MusicMagdalena Olszanowski0Concordia University<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG /> </o:OfficeDocumentSettings> </xml><![endif]--> <!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>JA</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> 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90.0pt; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.WordSection1 {page:WordSection1;} --></p><p class="MsoNormal"><span style="font-size: 12.0pt; font-family: Cambria; color: black;" lang="EN-US">This article reflects upon the research methods employed for <em style="mso-bidi-font-style: normal;">microfemininewarfare </em>(2012)<em style="mso-bidi-font-style: normal;">,</em></span><span style="font-size: 12.0pt; font-family: Cambria;" lang="EN-US"> an interactive database documentary that investigates female electronic dance music (EDM) artists. The purpose of the documentary is to feature the contributions of women as composers, to show how they came to be composers and to reveal the tactics used to approach significant issues of gender in the male-dominated world of EDM. I highlight the theoretical and methodological processes that went into the making of this documentary, subtitled “exploring women’s space in electronic music”. By constructing “electronic music by women” as a category, two objectives are addressed: first, the visibility of women’s contribution to the musical tradition is heightened; and, second, it allows an exploration of the broadening of discourses about female subjectivity. </span><span style="font-size: 12.0pt; font-family: Cambria; mso-fareast-font-family: ";Times New Roman";; color: #222222; background: white;" lang="EN-US">This article</span><span style="font-size: 12.0pt; font-family: Cambria; mso-fareast-font-family: ";Times New Roman";; color: #222222;" lang="EN-US"> <span style="background: white;">showcases feminist <em style="mso-bidi-font-style: normal;">research-creation</em> and friendship-as-method as effective research methods to glean</span> <span style="background: white;">meaningful content when applied to EDM fieldwork.</span></span></p> <!--EndFragment--><!--EndFragment--><!--EndFragment-->https://dj.dancecult.net/index.php/dancecult/article/view/341electronic dance musicfeminist fieldworkwomen electronic music composersgender and musicgender and technologyresearch-creation, friendship-as-method |
| spellingShingle | Magdalena Olszanowski What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music Dancecult: Journal of Electronic Dance Music Culture electronic dance music feminist fieldwork women electronic music composers gender and music gender and technology research-creation, friendship-as-method |
| title | What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music |
| title_full | What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music |
| title_fullStr | What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music |
| title_full_unstemmed | What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music |
| title_short | What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music |
| title_sort | what to ask women composers feminist fieldwork in electronic dance music |
| topic | electronic dance music feminist fieldwork women electronic music composers gender and music gender and technology research-creation, friendship-as-method |
| url | https://dj.dancecult.net/index.php/dancecult/article/view/341 |
| work_keys_str_mv | AT magdalenaolszanowski whattoaskwomencomposersfeministfieldworkinelectronicdancemusic |