The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán

From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque....

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Main Author: C. Cody Barteet
Format: Article
Language:English
Published: MDPI AG 2021-04-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/10/2/23
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author C. Cody Barteet
author_facet C. Cody Barteet
author_sort C. Cody Barteet
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description From the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa Teresita del Niño Jesús (or Las Ánimas). This paper explores the relationships among the retablos by considering their iconography and their styles to address the retablos’ dates and their current locations. While offering insights about these retablos, this contribution also provides a rich discussion of the thriving artistic industry that was present in Yucatán.
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spelling doaj.art-f576f0d0d9964fd395d276c3a5f2fbc52023-11-21T14:21:27ZengMDPI AGArts2076-07522021-04-011022310.3390/arts10020023The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial YucatánC. Cody Barteet0Department of Visual Arts, Western University, London, ON N6A 3K7, CanadaFrom the turn to seventeenth through the early eighteenth century, three retablos (altarpieces) were created in Yucatán that relied on a similar Renaissance design. The retablos located in the ex-convents of Mani and Teabo all adopt the Spanish sixteenth-century Renaissance style of the Plateresque. Further, the retablos are connected by the inclusion of caryatid framing devices that establishes a strong affinity among the works. Two of the retablos are located in Mani: the Retablo of San Antonio de Padua and the Retablo of Nuestra Señora de Soledad (or sometimes called the Dolores Retablo). At Teabo is the Retablo de Santa Teresita del Niño Jesús (or Las Ánimas). This paper explores the relationships among the retablos by considering their iconography and their styles to address the retablos’ dates and their current locations. While offering insights about these retablos, this contribution also provides a rich discussion of the thriving artistic industry that was present in Yucatán.https://www.mdpi.com/2076-0752/10/2/23retablocaryatidsVirutesPlateresqueRenaissanceTeabo
spellingShingle C. Cody Barteet
The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán
Arts
retablo
caryatids
Virutes
Plateresque
Renaissance
Teabo
title The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán
title_full The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán
title_fullStr The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán
title_full_unstemmed The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán
title_short The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán
title_sort retablos of teabo and mani the evolution of renaissance altars in colonial yucatan
topic retablo
caryatids
Virutes
Plateresque
Renaissance
Teabo
url https://www.mdpi.com/2076-0752/10/2/23
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