Frank Capra and Elia Kazan, American outsiders

Frank Capra and Elia Kazan both came to the United States as children. From immigrant stock, each experienced the effects of being looked down upon as outsiders to Anglo culture. Based on the two men’s autobiographical accounts, together with their films and biographical writings about them, this ar...

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Main Author: Yves Carlet
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/8766
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author Yves Carlet
author_facet Yves Carlet
author_sort Yves Carlet
collection DOAJ
description Frank Capra and Elia Kazan both came to the United States as children. From immigrant stock, each experienced the effects of being looked down upon as outsiders to Anglo culture. Based on the two men’s autobiographical accounts, together with their films and biographical writings about them, this article examines the routes by which they sought entry into the dominant culture. This process would require the rejection, in each case, of part of his family heritage. It would lead to very different attitudes to ethnicity in their films: Kazan demonstrated interest in the subject, whereas Capra largely suppressed it. The article underlines other “covert dialogues” in the films directed by the two men. It shows that they most diverged over issues of sexuality and the later rediscovery of their ethnic roots.
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spelling doaj.art-f5d28a10042c474eae5f22f586b237f42024-02-14T13:20:48ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93365410.4000/ejas.8766Frank Capra and Elia Kazan, American outsidersYves CarletFrank Capra and Elia Kazan both came to the United States as children. From immigrant stock, each experienced the effects of being looked down upon as outsiders to Anglo culture. Based on the two men’s autobiographical accounts, together with their films and biographical writings about them, this article examines the routes by which they sought entry into the dominant culture. This process would require the rejection, in each case, of part of his family heritage. It would lead to very different attitudes to ethnicity in their films: Kazan demonstrated interest in the subject, whereas Capra largely suppressed it. The article underlines other “covert dialogues” in the films directed by the two men. It shows that they most diverged over issues of sexuality and the later rediscovery of their ethnic roots.https://journals.openedition.org/ejas/8766Second-generation Americansoutsidersfamilyexclusionintegrationethnic frustrations
spellingShingle Yves Carlet
Frank Capra and Elia Kazan, American outsiders
European Journal of American Studies
Second-generation Americans
outsiders
family
exclusion
integration
ethnic frustrations
title Frank Capra and Elia Kazan, American outsiders
title_full Frank Capra and Elia Kazan, American outsiders
title_fullStr Frank Capra and Elia Kazan, American outsiders
title_full_unstemmed Frank Capra and Elia Kazan, American outsiders
title_short Frank Capra and Elia Kazan, American outsiders
title_sort frank capra and elia kazan american outsiders
topic Second-generation Americans
outsiders
family
exclusion
integration
ethnic frustrations
url https://journals.openedition.org/ejas/8766
work_keys_str_mv AT yvescarlet frankcapraandeliakazanamericanoutsiders