Festivals de cinéma dans le monde arabe
While the two major “historical” film festivals in the Arab World - Cartago and Cairo -, have been declining, other film festivals have emerged in the area since 2000. Leading the way is Morocco, in spite of the contrast between the glamorous Marrakech festival and a swarm of minor events. In the Em...
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Format: | Article |
Language: | English |
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Université de Provence
2013-12-01
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Series: | Revue des Mondes Musulmans et de la Méditerranée |
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Online Access: | https://journals.openedition.org/remmm/8184 |
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author | Jean-Michel Frodon |
author_facet | Jean-Michel Frodon |
author_sort | Jean-Michel Frodon |
collection | DOAJ |
description | While the two major “historical” film festivals in the Arab World - Cartago and Cairo -, have been declining, other film festivals have emerged in the area since 2000. Leading the way is Morocco, in spite of the contrast between the glamorous Marrakech festival and a swarm of minor events. In the Emirates, the large number of festivals reflects a self promotion strategy rather than a cultural development policy. As they compete between themselves, they become less attractive. In other countries, there is a feeling of dispersion due to a wide range of situations. Yet, the proliferation of festivals (around one hundred in the region) ends up creating a global effect, beyond individual goals, means and limits. Though enshrined in local or national roots, the festival phenomenon engenders on a wider scale generational, and financial networks, expertise procedure, interrelational process, and geographical thematic connections as well as connections between other arts and medias. |
first_indexed | 2024-03-08T02:13:00Z |
format | Article |
id | doaj.art-f5e4ffa2dac34bf5bfbdb5eb8572651d |
institution | Directory Open Access Journal |
issn | 0997-1327 2105-2271 |
language | English |
last_indexed | 2024-03-08T02:13:00Z |
publishDate | 2013-12-01 |
publisher | Université de Provence |
record_format | Article |
series | Revue des Mondes Musulmans et de la Méditerranée |
spelling | doaj.art-f5e4ffa2dac34bf5bfbdb5eb8572651d2024-02-13T15:19:16ZengUniversité de ProvenceRevue des Mondes Musulmans et de la Méditerranée0997-13272105-22712013-12-01134293910.4000/remmm.8184Festivals de cinéma dans le monde arabeJean-Michel FrodonWhile the two major “historical” film festivals in the Arab World - Cartago and Cairo -, have been declining, other film festivals have emerged in the area since 2000. Leading the way is Morocco, in spite of the contrast between the glamorous Marrakech festival and a swarm of minor events. In the Emirates, the large number of festivals reflects a self promotion strategy rather than a cultural development policy. As they compete between themselves, they become less attractive. In other countries, there is a feeling of dispersion due to a wide range of situations. Yet, the proliferation of festivals (around one hundred in the region) ends up creating a global effect, beyond individual goals, means and limits. Though enshrined in local or national roots, the festival phenomenon engenders on a wider scale generational, and financial networks, expertise procedure, interrelational process, and geographical thematic connections as well as connections between other arts and medias.https://journals.openedition.org/remmm/8184MoroccoUAEFestivaleventnetworkpublic policy |
spellingShingle | Jean-Michel Frodon Festivals de cinéma dans le monde arabe Revue des Mondes Musulmans et de la Méditerranée Morocco UAE Festival event network public policy |
title | Festivals de cinéma dans le monde arabe |
title_full | Festivals de cinéma dans le monde arabe |
title_fullStr | Festivals de cinéma dans le monde arabe |
title_full_unstemmed | Festivals de cinéma dans le monde arabe |
title_short | Festivals de cinéma dans le monde arabe |
title_sort | festivals de cinema dans le monde arabe |
topic | Morocco UAE Festival event network public policy |
url | https://journals.openedition.org/remmm/8184 |
work_keys_str_mv | AT jeanmichelfrodon festivalsdecinemadanslemondearabe |