Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper
The study follows the changes of the complex of notions connected with the idea of the Czech national opera from the beginning of its formulation until the end of the seventies of the 19th-century, e.g. to the time when Bedřich Smetana´s individual compositional style was received by the Czech music...
| Main Authors: | , |
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| Format: | Article |
| Language: | deu |
| Published: |
ZRC SAZU, Založba ZRC
2015-06-01
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| Series: | De Musica Disserenda |
| Subjects: | |
| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/2025 |
| _version_ | 1811342686595055616 |
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| author | Marta Ottlová Milan Pospíšil |
| author_facet | Marta Ottlová Milan Pospíšil |
| author_sort | Marta Ottlová |
| collection | DOAJ |
| description | The study follows the changes of the complex of notions connected with the idea of the Czech national opera from the beginning of its formulation until the end of the seventies of the 19th-century, e.g. to the time when Bedřich Smetana´s individual compositional style was received by the Czech musical public as a style representing national music. It focuses not only on theoretical views but also on the reception attitudes to the rising original Czech operatic creation. |
| first_indexed | 2024-04-13T19:15:15Z |
| format | Article |
| id | doaj.art-f5ed2abcc0ca4064aeff3b67f9789c27 |
| institution | Directory Open Access Journal |
| issn | 1854-3405 2536-2615 |
| language | deu |
| last_indexed | 2024-04-13T19:15:15Z |
| publishDate | 2015-06-01 |
| publisher | ZRC SAZU, Založba ZRC |
| record_format | Article |
| series | De Musica Disserenda |
| spelling | doaj.art-f5ed2abcc0ca4064aeff3b67f9789c272022-12-22T02:33:42ZdeuZRC SAZU, Založba ZRCDe Musica Disserenda1854-34052536-26152015-06-0131233510.3986/dmd03.1.021623Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen NationaloperMarta Ottlová0Milan Pospíšil1Charles University in PragueNárodni muzeum, PragueThe study follows the changes of the complex of notions connected with the idea of the Czech national opera from the beginning of its formulation until the end of the seventies of the 19th-century, e.g. to the time when Bedřich Smetana´s individual compositional style was received by the Czech musical public as a style representing national music. It focuses not only on theoretical views but also on the reception attitudes to the rising original Czech operatic creation.https://ojs.zrc-sazu.si/dmd/article/view/2025national musicczech operaotokar hostinskýfrantišek pivodabedřich smetana |
| spellingShingle | Marta Ottlová Milan Pospíšil Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper De Musica Disserenda national music czech opera otokar hostinský františek pivoda bedřich smetana |
| title | Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper |
| title_full | Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper |
| title_fullStr | Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper |
| title_full_unstemmed | Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper |
| title_short | Zum Rezeptionsgeschichtlichen Hintergrund der tschechischen Nationaloper |
| title_sort | zum rezeptionsgeschichtlichen hintergrund der tschechischen nationaloper |
| topic | national music czech opera otokar hostinský františek pivoda bedřich smetana |
| url | https://ojs.zrc-sazu.si/dmd/article/view/2025 |
| work_keys_str_mv | AT martaottlova zumrezeptionsgeschichtlichenhintergrunddertschechischennationaloper AT milanpospisil zumrezeptionsgeschichtlichenhintergrunddertschechischennationaloper |