Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment

Surrounded by the hubbub of the 2008 presidential election, playwright Young Jean Lee considered a topic for the next project of her nonprofit experimental theater company and decided to write a black identity politics show that addressed the issues of commodity racism and perceived colorblindness....

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Main Author: Seunghyun Hwang
Format: Article
Language:English
Published: CBS Open Journals 2021-12-01
Series:American Studies in Scandinavia
Online Access:https://rauli.cbs.dk/index.php/assc/article/view/6391
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author Seunghyun Hwang
author_facet Seunghyun Hwang
author_sort Seunghyun Hwang
collection DOAJ
description Surrounded by the hubbub of the 2008 presidential election, playwright Young Jean Lee considered a topic for the next project of her nonprofit experimental theater company and decided to write a black identity politics show that addressed the issues of commodity racism and perceived colorblindness. Her objective, in collaboration with five African American actors, was to expose both conscious and unconscious racial stereotyping deeply rooted in American culture and to lead the audience to connect the abstract element of racial stereotyping to the actual experiences of minority individuals. This article focuses on the development process of the 2008 project and connects it to the social, cultural and political influences that guided the process to demonstrate how the production fits into the historical landscape of dramatic literature and to illustrate the power of the performing arts as a catalyst to initiate public dialogue and to bring to the forefront the questioning of discriminative societal attitudes and practices.
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spelling doaj.art-f6088066a6b8428787710e394b50fc292023-06-13T06:48:40ZengCBS Open JournalsAmerican Studies in Scandinavia0044-80602021-12-0153210.22439/asca.v53i2.6391Confronting Colorblind Commodity Racism: Young Jean Lee’s The ShipmentSeunghyun Hwang0Incheon National University, South Korea Surrounded by the hubbub of the 2008 presidential election, playwright Young Jean Lee considered a topic for the next project of her nonprofit experimental theater company and decided to write a black identity politics show that addressed the issues of commodity racism and perceived colorblindness. Her objective, in collaboration with five African American actors, was to expose both conscious and unconscious racial stereotyping deeply rooted in American culture and to lead the audience to connect the abstract element of racial stereotyping to the actual experiences of minority individuals. This article focuses on the development process of the 2008 project and connects it to the social, cultural and political influences that guided the process to demonstrate how the production fits into the historical landscape of dramatic literature and to illustrate the power of the performing arts as a catalyst to initiate public dialogue and to bring to the forefront the questioning of discriminative societal attitudes and practices. https://rauli.cbs.dk/index.php/assc/article/view/6391
spellingShingle Seunghyun Hwang
Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
American Studies in Scandinavia
title Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
title_full Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
title_fullStr Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
title_full_unstemmed Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
title_short Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
title_sort confronting colorblind commodity racism young jean lee s the shipment
url https://rauli.cbs.dk/index.php/assc/article/view/6391
work_keys_str_mv AT seunghyunhwang confrontingcolorblindcommodityracismyoungjeanleestheshipment