"Please Like Me" and global TV flows

This case study examines the formal and informal distribution of Australian dramedy Please Like Me (2013–17) via the now-defunct American digital cable channel Pivot and via fan culture on Tumblr. The contrast between Pivot's failure to secure an audience and fans' success in circulating t...

Full description

Bibliographic Details
Main Author: Melanie E. S. Kohnen
Format: Article
Language:English
Published: Organization for Transformative Works 2018-03-01
Series:Transformative Works and Cultures
Subjects:
Online Access:https://dx.doi.org/10.3983/twc.2018.1315
_version_ 1818724172745932800
author Melanie E. S. Kohnen
author_facet Melanie E. S. Kohnen
author_sort Melanie E. S. Kohnen
collection DOAJ
description This case study examines the formal and informal distribution of Australian dramedy Please Like Me (2013–17) via the now-defunct American digital cable channel Pivot and via fan culture on Tumblr. The contrast between Pivot's failure to secure an audience and fans' success in circulating the show offers an insight into the continued shift in TV consumption and the complex relationship between distributors and viewers.
first_indexed 2024-12-17T21:22:12Z
format Article
id doaj.art-f61d24a0521847c4b7e7edcfd7c87f8e
institution Directory Open Access Journal
issn 1941-2258
1941-2258
language English
last_indexed 2024-12-17T21:22:12Z
publishDate 2018-03-01
publisher Organization for Transformative Works
record_format Article
series Transformative Works and Cultures
spelling doaj.art-f61d24a0521847c4b7e7edcfd7c87f8e2022-12-21T21:32:11ZengOrganization for Transformative WorksTransformative Works and Cultures1941-22581941-22582018-03-012610.3983/twc.2018.1315"Please Like Me" and global TV flowsMelanie E. S. Kohnen0Lewis & Clark College, Portland, Oregon, United StatesThis case study examines the formal and informal distribution of Australian dramedy Please Like Me (2013–17) via the now-defunct American digital cable channel Pivot and via fan culture on Tumblr. The contrast between Pivot's failure to secure an audience and fans' success in circulating the show offers an insight into the continued shift in TV consumption and the complex relationship between distributors and viewers.https://dx.doi.org/10.3983/twc.2018.1315AustraliaDistributionGIF setsGlobal televisionLGBTQPivotTumblr
spellingShingle Melanie E. S. Kohnen
"Please Like Me" and global TV flows
Transformative Works and Cultures
Australia
Distribution
GIF sets
Global television
LGBTQ
Pivot
Tumblr
title "Please Like Me" and global TV flows
title_full "Please Like Me" and global TV flows
title_fullStr "Please Like Me" and global TV flows
title_full_unstemmed "Please Like Me" and global TV flows
title_short "Please Like Me" and global TV flows
title_sort please like me and global tv flows
topic Australia
Distribution
GIF sets
Global television
LGBTQ
Pivot
Tumblr
url https://dx.doi.org/10.3983/twc.2018.1315
work_keys_str_mv AT melanieeskohnen pleaselikemeandglobaltvflows